Difference between revisions of "The Baadasssss Blaxploitation Top 20"
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<i class="fa fa-list-alt" aria-hidden="true"></i> '''[[:Category:Blaxploitation|Blaxploitation]] was a popular [[INTRODUCTION|exploitation]] film genre born in the [[:Category:1970|1970s]] that focused on stories about African Americans' social struggles and their fantasies. These movies were heightened, outrageous versions of reality and featured main characters that were larger than life. The subject matter dealt with everything from inner city crime (pimps, players, gangsters, drug dealers, private eyes) to tales of the supernatural (vampires, demonic possession). Throughout the 70s, black audiences finally got their own heroes to champion on the big screen. Most importantly the movies created an outlet for the African-American artistic community to work in and be seen. It remains a very important part of both cultural and cinematic history.''' | |||
'''More Baadasssss Info''': | |||
* [[Blaxploitation: What It Is...What It Was]] | |||
* [[Baadasssss Blaxploitation on BluRay]] and [[Baadasssss Blaxploitation on DVD|DVD]] | |||
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[[File:Coffy1.jpg|Pam Grier as Coffy|link=Coffy]] | |||
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====1. [[Shaft|Shaft (1971)]]==== | ====1. [[Shaft|Shaft (1971)]]==== | ||
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<div class="small-12 large-9 columns">An action film with elements of film noir, Shaft tells the story of a private detective, John Shaft, who travels through Harlem and to the Italian mob neighborhoods in order to find the missing daughter of a black mobster. The movie was adapted by Ernest Tidyman and John D. F. Black from Tidyman's 1970 novel of the same name. Widely considered a prime example of the blaxploitation genre, Shaft was selected in 2000 for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant." (Wikipedia) | <div class="small-12 large-9 columns">An action film with elements of film noir, Shaft tells the story of a private detective, John Shaft, who travels through Harlem and to the Italian mob neighborhoods in order to find the missing daughter of a black mobster. The movie was adapted by Ernest Tidyman and John D. F. Black from Tidyman's 1970 novel of the same name. Widely considered a prime example of the blaxploitation genre, Shaft was selected in 2000 for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant." (Wikipedia) | ||
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[[File:Shaft1pic.jpg]] | [[File:Shaft1pic.jpg|link=Shaft]] | ||
</div> <div class="small-12 large-3 columns">[[File:028_shaft.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:028_shaft.jpg]]</div> | ||
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====2. [[Coffy|Coffy (1973)]]==== | ====2. [[Coffy|Coffy (1973)]]==== | ||
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<div class="small-12 large-9 columns">[[Pam Grier]] is [[Coffy]], a sexy nurse who decides to go on a Roaring Rampage of Revenge to get back at the drug dealers who got her sister hooked on heroin. Pam Grier's fierce personality mixed with her natural sexiness drives this movie over the top! As Coffy tries to get to the bottom of who's behind the drug dealing in her area, she is put in very dangerous situations which she must get out of using her strong will and determination. This is a crown jewel of the era. It was followed up by another classic of the genre [[Foxy Brown]]. | <div class="small-12 large-9 columns">[[:Category: Pam Grier|Pam Grier]] is [[Coffy]], a sexy nurse who decides to go on a Roaring Rampage of Revenge to get back at the drug dealers who got her sister hooked on heroin. Pam Grier's fierce personality mixed with her natural sexiness drives this movie over the top! As Coffy tries to get to the bottom of who's behind the drug dealing in her area, she is put in very dangerous situations which she must get out of using her strong will and determination. This is a crown jewel of the era. It was followed up by another classic of the genre [[Foxy Brown]]. | ||
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[[File:Coff1pic.jpg]] | [[File:Coff1pic.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:043_coffy.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:043_coffy.jpg|link=Coffy]]</div> | ||
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====3. [[Super Fly|Super Fly (1972)]]==== | ====3. [[Super Fly|Super Fly (1972)]]==== | ||
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<div class="small-12 large-9 columns">Gordon Parks Jr.'s Super Fly marked the second mega hit for what became known as the | <div class="small-12 large-9 columns">Gordon Parks Jr.'s Super Fly marked the second mega hit for what became known as the Blaxploitation era. Youngblood Priest (Ron' O'Neal) has got it all, the flashiest clothes, the hottest bitches, a color TV in every room, coke by the pound and the finest ride in Harlem. What he doesn't have is piece of mind, and this is what the story is all about. The only way Priest will truly be able to make his dream of a bright future a reality is for his mentor Scatter (Julius W. Harris) to help him score one last big cocaine deal, thus funding his escape from a life of crime for good. | ||
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[[File:Superflypic1.jpg]] | [[File:Superflypic1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:Super_fly_poster_01.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:Super_fly_poster_01.jpg|link=Super Fly]]</div> | ||
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[[File:Mack1.jpg]] | [[File:Mack1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:Mackpost2.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:Mackpost2.jpg|link=The Mack]]</div> | ||
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====5. [[Black Caesar|Black Caesar (1973)]]==== | ====5. [[Black Caesar|Black Caesar (1973)]]==== | ||
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<div class="small-12 large-9 columns">In 1953, a young shoeshine boy named Tommy Gibbs (Omer Jeffrey) takes his first steps into the organized crime business. While a gangster gets his shoes shined, Tommy grabs onto his leg to prevent the man from getting away. Another gangster shows up, pulls out a gun and shoots him. A bit later, young Gibbs goes to bring a dirty cop his pay off. McKinney (the cop in question) is racist and hits Gibbs so hard he ends up with a broken leg in the hospital. Many years later, Tommy Gibbs (now played by [[Fred Williamson]]) returns to Harlem seeking retribution. This film is one of the best in the blaxploitation genre and Fred "The Hammer" Williamson truly is a "Bad Mutha." | <div class="small-12 large-9 columns">In 1953, a young shoeshine boy named Tommy Gibbs (Omer Jeffrey) takes his first steps into the organized crime business. While a gangster gets his shoes shined, Tommy grabs onto his leg to prevent the man from getting away. Another gangster shows up, pulls out a gun and shoots him. A bit later, young Gibbs goes to bring a dirty cop his pay off. McKinney (the cop in question) is racist and hits Gibbs so hard he ends up with a broken leg in the hospital. Many years later, Tommy Gibbs (now played by [[:Category: Fred Williamson|Fred Williamson]]) returns to Harlem seeking retribution. This film is one of the best in the blaxploitation genre and Fred "The Hammer" Williamson truly is a "Bad Mutha." | ||
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[[File:Blackcaesar1.jpg]] | [[File:Blackcaesar1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:Black_caesar_1973.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:Black_caesar_1973.jpg|link=Black Caesar]]</div> | ||
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====6. [[Blacula|Blacula (1972)]]==== | ====6. [[Blacula|Blacula (1972)]]==== | ||
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<div class="small-12 large-9 columns">In the year 1790, African Prince Mamuwalde ([[William Marshall]]) and his wife Luva ([[Vonetta McGee]]) visit the country of Transylvania and its most popular resident, Count Dracula (Charles Macaulay) in an effort to get help to end the slave trade. It is soon revealed that ol' Dracula himself is a racist. When Mamuwalde and Luva attempt to leave the castle, they are swiftly held captive by Dracula's vampire minions. Count Dracula bites Mamuwalde turning him into a vampire and curses him with the name "[[Blacula]]". After locking Mamuwalde into a metal coffin, Dracula lets Luva know that her fate is sealed as well, and the two are placed inside a hidden dungeon room, never to be seen again. Centuries later, Blacula escapes from his tomb and begins wreaking terror on modern urban society. | <div class="small-12 large-9 columns">In the year 1790, African Prince Mamuwalde ([[:Category: William Marshall|William Marshall]]) and his wife Luva ([[:Category: Vonetta McGee|Vonetta McGee]]) visit the country of Transylvania and its most popular resident, Count Dracula (Charles Macaulay) in an effort to get help to end the slave trade. It is soon revealed that ol' Dracula himself is a racist. When Mamuwalde and Luva attempt to leave the castle, they are swiftly held captive by Dracula's vampire minions. Count Dracula bites Mamuwalde turning him into a vampire and curses him with the name "[[Blacula]]". After locking Mamuwalde into a metal coffin, Dracula lets Luva know that her fate is sealed as well, and the two are placed inside a hidden dungeon room, never to be seen again. Centuries later, Blacula escapes from his tomb and begins wreaking terror on modern urban society. | ||
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[[File:Blacula1pic.jpg]] | [[File:Blacula1pic.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:Blacula_poster_2_1972.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:Blacula_poster_2_1972.jpg|link=Blacula]]</div> | ||
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====7. [[Dolemite|Dolemite (1975)]]==== | ====7. [[Dolemite|Dolemite (1975)]]==== | ||
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<div class="small-12 large-9 columns">Comedian [[Rudy Ray Moore]] wanted to cash in on the Blaxploitation craze so he brought his standup character "Dolemite" to Drive ins and Grindhouses across the USA. Dolemite has to be one of the worst directed films, but for some reason, that doesnt matter when you watch it. The acting is pretty horrible as well, but there's a certain charm about it that will grab you. The story focuses on a club owner/player (Rudy Ray Moore) who is framed for a crime but has been hired by the local government to get back on the streets and take down the man who set him up, Willie Green (D'urville Martin), a dope pushing pimp who's been selling drugs and killing innocent kids in the hood. | <div class="small-12 large-9 columns">Comedian [[:Category: Rudy Ray Moore|Rudy Ray Moore]] wanted to cash in on the Blaxploitation craze so he brought his standup character "Dolemite" to Drive ins and Grindhouses across the USA. Dolemite has to be one of the worst directed films, but for some reason, that doesnt matter when you watch it. The acting is pretty horrible as well, but there's a certain charm about it that will grab you. The story focuses on a club owner/player (Rudy Ray Moore) who is framed for a crime but has been hired by the local government to get back on the streets and take down the man who set him up, Willie Green (D'urville Martin), a dope pushing pimp who's been selling drugs and killing innocent kids in the hood. | ||
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[[File:Dolemitepic1.jpg]] | [[File:Dolemitepic1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:037_dolemite_b.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:037_dolemite_b.jpg|link=Dolemite]]</div> | ||
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====8. [[Foxy Brown|Foxy Brown (1974)]]==== | ====8. [[Foxy Brown|Foxy Brown (1974)]]==== | ||
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<div class="small-12 large-9 columns">In this follow up to [[Jack Hill]]'s 1973 Blaxploitation classic [[Coffy]], [[Pam Grier]] stars as Foxy Brown, another badass babe that's out for revenge. When her FBI informant boyfriend is suddenly murdered by a crime organization Foxy goes undercover as a call-girl to get back at them. Pam Grier shines once again in another excellent Exploitation film by Grindhouse auteur Jack Hill. He creates such a great atmosphere and his snappy dialogue and fun characters are some of the best of the 70s era. Foxy Brown is an iconic character from the Blaxploitation genre and this movie is one of the classic female empowerment films from the 1970s. | <div class="small-12 large-9 columns">In this follow up to [[:Category: Jack Hill|Jack Hill]]'s 1973 Blaxploitation classic [[Coffy]], [[:Category: Pam Grier|Pam Grier]] stars as Foxy Brown, another badass babe that's out for revenge. When her FBI informant boyfriend is suddenly murdered by a crime organization Foxy goes undercover as a call-girl to get back at them. Pam Grier shines once again in another excellent Exploitation film by Grindhouse auteur Jack Hill. He creates such a great atmosphere and his snappy dialogue and fun characters are some of the best of the 70s era. Foxy Brown is an iconic character from the Blaxploitation genre and this movie is one of the classic female empowerment films from the 1970s. | ||
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[[File:Foxybrownpic1.jpg]] | [[File:Foxybrownpic1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File: | </div> <div class="small-12 large-3 columns">[[File:Foxybrownposter.jpg|link=Foxy Brown]]</div> | ||
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====9. [[Black Belt Jones|Black Belt Jones (1974)]]==== | ====9. [[Black Belt Jones|Black Belt Jones (1974)]]==== | ||
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<div class="small-12 large-9 columns">If you've seen [[Enter The Dragon]], you'll know that [[Jim Kelly]] had his own brand of humor which he mixed with his blazing martial arts talent. Well, Black Belt Jones basically expands on that and injects it into every scene. The dialogue is very funny/witty and its one of the main strengths in the movie besides the over the top action. Its got to be noted that the score and sound effects by Luchi DeJesus and Dennis Coffey is one of the most funky from the Blaxploitation era. The movie is filled with intense brass horns mixed with Kelly's kung fu "Ki-ays" and laid over the sound of piercing bone crunches and snaps during the fight scenes. This was also the first blaxploitation-kung fu crossover and who better to kick it off than the legendary Jim "Dragon" Kelly? | <div class="small-12 large-9 columns">If you've seen [[Enter The Dragon]], you'll know that [[:Category: Jim Kelly|Jim Kelly]] had his own brand of humor which he mixed with his blazing martial arts talent. Well, Black Belt Jones basically expands on that and injects it into every scene. The dialogue is very funny/witty and its one of the main strengths in the movie besides the over the top action. Its got to be noted that the score and sound effects by Luchi DeJesus and Dennis Coffey is one of the most funky from the Blaxploitation era. The movie is filled with intense brass horns mixed with Kelly's kung fu "Ki-ays" and laid over the sound of piercing bone crunches and snaps during the fight scenes. This was also the first blaxploitation-kung fu crossover and who better to kick it off than the legendary Jim "Dragon" Kelly? | ||
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[[File:Bbjonespic1.jpg]] | [[File:Bbjonespic1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:Bbjones.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:Bbjones.jpg|link=Black Belt Jones]]</div> | ||
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[[File:Cleojones1.jpg]] | [[File:Cleojones1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:Cleopatra_jones_poster_01.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:Cleopatra_jones_poster_01.jpg|link=Cleopatra Jones]]</div> | ||
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[[File:Sugarhillpic1.jpg]] | [[File:Sugarhillpic1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:033_sugar_hill.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:033_sugar_hill.jpg|link=Sugar Hill]]</div> | ||
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[[File:Jdsrevenge1.jpg]] | [[File:Jdsrevenge1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:032_jds_revenge.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:032_jds_revenge.jpg|link=J.D.'s Revenge]]</div> | ||
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[[File:Darktwnstrut1.jpg]] | [[File:Darktwnstrut1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:00008darktownstrutters.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:00008darktownstrutters.jpg|link=Darktown Strutters]]</div> | ||
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[[File:Willied1.jpg]] | [[File:Willied1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:039_willie_dynamite.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:039_willie_dynamite.jpg|link=Willie Dynamite]]</div> | ||
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[[File:Blackgestapo1.jpg]] | [[File:Blackgestapo1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:031_black_gestapo.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:031_black_gestapo.jpg|link=The Black Gestapo]]</div> | ||
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====16. [[Truck Turner|Truck Turner (1974)]]==== | ====16. [[Truck Turner|Truck Turner (1974)]]==== | ||
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<div class="small-12 large-9 columns">The late great singer/composer/actor [[Isaac Hayes]] stars as Mack "Truck" Turner, a skip tracer (bounty hunter) in the greater Los Angeles area. Before he became a criminal catcher, Truck was an all star football player, which is where he earned his nickname. When Truck kills a criminal named Gator with underworld ties, the dead man's devious associate Dorinda (Nichelle Nichols) decides to take revenge on Truck and hires a group of thugs led by Harvard Blue (Yaphet Kotto) to do the hit. With everyone on his trail, Truck has to use his keen wit and defense tactics to stay alive. | <div class="small-12 large-9 columns">The late great singer/composer/actor [[:Category: Isaac Hayes|Isaac Hayes]] stars as Mack "Truck" Turner, a skip tracer (bounty hunter) in the greater Los Angeles area. Before he became a criminal catcher, Truck was an all star football player, which is where he earned his nickname. When Truck kills a criminal named Gator with underworld ties, the dead man's devious associate Dorinda (Nichelle Nichols) decides to take revenge on Truck and hires a group of thugs led by Harvard Blue (Yaphet Kotto) to do the hit. With everyone on his trail, Truck has to use his keen wit and defense tactics to stay alive. | ||
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[[File:Truckturnr1.jpg]] | [[File:Truckturnr1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:050_truck_turner.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:050_truck_turner.jpg|link=Truck Turner]]</div> | ||
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====17. [[Thomasine and Bushrod|Thomasine & Bushrod (1974)]]==== | ====17. [[Thomasine and Bushrod|Thomasine & Bushrod (1974)]]==== | ||
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<div class="small-12 large-9 columns">Vonetta McGee plays Thomasine and Max Julien plays Bushrod in a film intended as a counterpart to the 1967 film Bonnie and Clyde. Thomasine and Bushrod go on a crime spree through the American south between 1911 and 1915, acting as Robin Hood type heroes who steal from rich, white capitalists, then give to Mexicans, Native Americans and poor whites. An excellent Western action-adventure with two icons of black genre cinema. The main theme was performed by the 60s psychedelic acid-rock band Love | <div class="small-12 large-9 columns">Vonetta McGee plays Thomasine and Max Julien plays Bushrod in a film intended as a counterpart to the 1967 film Bonnie and Clyde. Thomasine (who starts off as a bounty hunter) and Bushrod go on a crime spree through the American south between 1911 and 1915, acting as Robin Hood type heroes who steal from rich, white capitalists, then give to Mexicans, Native Americans and poor whites. An excellent Western action-adventure with two icons of black genre cinema. The main theme was performed by the 60s psychedelic acid-rock band Love's lead singer Arthur Lee. | ||
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[[File:Thomasinebush1.jpg]] | [[File:Thomasinebush1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:Thomasinebushrodpost2.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:Thomasinebushrodpost2.jpg|link=Thomasine and Bushrod]]</div> | ||
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====18. [[Abby|Abby (1974)]]==== | ====18. [[Abby|Abby (1974)]]==== | ||
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<div class="small-12 large-9 columns">
Some say this movie was so controversial that it had to be pulled from cinema release, others claim it was pulled from circulation due to the fact it was nothing more than an Exorcist rip-off.
It was never THAT controversial and even though Warner Brothers sued [[American International Pictures]] and won, it didn't really have that much in common with The Exorcist bar someone being possessed. For Regan MacNeil it was The Devil, for Abby Williams (Carol Speed), Eshu, a West African spirit of whirlwinds and chaos (and for some reason known only to the writers of this film) a sex demon. | <div class="small-12 large-9 columns">
Some say this movie was so controversial that it had to be pulled from cinema release, others claim it was pulled from circulation due to the fact it was nothing more than an Exorcist rip-off.
It was never THAT controversial and even though Warner Brothers sued [[:Category: American International Pictures|American International Pictures]] and won, it didn't really have that much in common with The Exorcist bar someone being possessed. For Regan MacNeil it was The Devil, for Abby Williams (Carol Speed), Eshu, a West African spirit of whirlwinds and chaos (and for some reason known only to the writers of this film) a sex demon. | ||
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[[File:Abby1pic.jpg]] | [[File:Abby1pic.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:Abby.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:Abby.jpg|link=Abby]]</div> | ||
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====19. [[Three The Hard Way|Three The Hard Way (1974)]]==== | ====19. [[Three The Hard Way|Three The Hard Way (1974)]]==== | ||
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<div class="small-12 large-9 columns">Jimmy Lait ([[Jim Brown]]) a music producer finds an old neighborhood friend House (Junero Jennings) shot outside his studio and immediately brings him to the hospital to get fixed up. Meanwhile, Jimmy's girlfriend Wendy (Sheila Frazier) decides to visit House in the hospital and she's kidnapped by some masked thugs. When Jimmy finds out about this he goes to Lt. DiNisco (Alex Rocco), but DiNisco explains that he can't just go after anyone. Jimmy decides to take matters into his own hands by getting his old friends Jagger Daniels (Fred Williamson) and Mister Keyes (Jim Kelly) to help him. It turns out an evil white supremacist named Mr. Feather (Jay Robinson) has a plan to create a special poison that will wipe out only the black race, leaving the three pals to stop him. | <div class="small-12 large-9 columns">Jimmy Lait ([[:Category: Jim Brown|Jim Brown]]) a music producer finds an old neighborhood friend House (Junero Jennings) shot outside his studio and immediately brings him to the hospital to get fixed up. Meanwhile, Jimmy's girlfriend Wendy (Sheila Frazier) decides to visit House in the hospital and she's kidnapped by some masked thugs. When Jimmy finds out about this he goes to Lt. DiNisco (Alex Rocco), but DiNisco explains that he can't just go after anyone. Jimmy decides to take matters into his own hands by getting his old friends Jagger Daniels (Fred Williamson) and Mister Keyes (Jim Kelly) to help him. It turns out an evil white supremacist named Mr. Feather (Jay Robinson) has a plan to create a special poison that will wipe out only the black race, leaving the three pals to stop him. | ||
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[[File:Threehardway1.jpg]] | [[File:Threehardway1.jpg]] | ||
</div> <div class="small-12 large-3 columns">[[File:041_three_the_hard_way.jpg]]</div> | </div> <div class="small-12 large-3 columns">[[File:041_three_the_hard_way.jpg|link=Three The Hard Way]]</div> | ||
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====20. [[ | ====20. [[Trouble Man|Trouble Man (1972)]]==== | ||
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<div class="small-12 large-9 columns"> | <div class="small-12 large-9 columns">Lost amidst the three “Ps”—pimps, pushers and prostitutes—that proliferated in 1970s black-cast action cinema, is an erudite, stylish and self aware film character worthy of reconsideration. He’s not as popular as “shut yo’ mouth” John Shaft of Shaft, as well known as “Priest” from Super Fly, or as outré as “Goldie” from The Mack, but you better believe he’s got everything they’ve got—including his own titular Marvin Gaye written/produced/performed theme song. His name is “Trouble Man,” Mr. T. to those in the know. The T is for “trouble” because that’s what you’re gonna’ get if you mess with him! | ||
Released in the winter of 1972, Trouble Man dazzled; luring audiences in with its sensational fractured mirror poster art: but it didn’t make much of an impact. Perhaps it was the picture’s rudimentary title: too specific, too didactic, too straightforwardly “brand.” Or perhaps it was the fact that the scenario played like that of so many other Blaxploitation films: just another gun-toting angry black man out to stick it to Whitey. Whatever the reason, it’s a shame; Trouble Man remains one of the more fully realized black action hero character portraits. It’s both fantastic wish fulfillment and a film teeming with the politics of the day. | |||
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</div> <div class="small-12 large-3 columns">[[File:Troublemanpost.jpg|link=Trouble Man]]</div> | |||
</div> <div class="small-12 large-3 columns">[[File: | |||
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__NOTOC__ | __NOTOC__ | ||
[[Category:Lists|Baadasssss Blaxploitation Top 20]][[Category:Blaxploitation|Baadasssss Blaxploitation Top 20]] | [[Category:Lists|Baadasssss Blaxploitation Top 20]][[Category:Blaxploitation|Baadasssss Blaxploitation Top 20]] |
Latest revision as of 12:51, 30 August 2023
Blaxploitation was a popular exploitation film genre born in the 1970s that focused on stories about African Americans' social struggles and their fantasies. These movies were heightened, outrageous versions of reality and featured main characters that were larger than life. The subject matter dealt with everything from inner city crime (pimps, players, gangsters, drug dealers, private eyes) to tales of the supernatural (vampires, demonic possession). Throughout the 70s, black audiences finally got their own heroes to champion on the big screen. Most importantly the movies created an outlet for the African-American artistic community to work in and be seen. It remains a very important part of both cultural and cinematic history.
More Baadasssss Info:
1. Shaft (1971)
2. Coffy (1973)
3. Super Fly (1972)
4. The Mack (1973)
5. Black Caesar (1973)
6. Blacula (1972)
7. Dolemite (1975)
8. Foxy Brown (1974)
9. Black Belt Jones (1974)
10. Cleopatra Jones (1973)
11. Sugar Hill (1974)
12. J.D.'s Revenge (1976)
13. Darktown Strutters (1975)
14. Willie Dynamite (1974)
15. The Black Gestapo (1976)
16. Truck Turner (1974)
17. Thomasine & Bushrod (1974)
18. Abby (1974)
19. Three The Hard Way (1974)
20. Trouble Man (1972)
Released in the winter of 1972, Trouble Man dazzled; luring audiences in with its sensational fractured mirror poster art: but it didn’t make much of an impact. Perhaps it was the picture’s rudimentary title: too specific, too didactic, too straightforwardly “brand.” Or perhaps it was the fact that the scenario played like that of so many other Blaxploitation films: just another gun-toting angry black man out to stick it to Whitey. Whatever the reason, it’s a shame; Trouble Man remains one of the more fully realized black action hero character portraits. It’s both fantastic wish fulfillment and a film teeming with the politics of the day.