Difference between revisions of "The Warriors"

From The Grindhouse Cinema Database

m
m
Line 69: Line 69:


__NOTOC__
__NOTOC__
[[Category:1979|Warriors]][[Category:Films|Warriors]][[Category:Cult Films|Warriors]][[Category: Reviews|Warriors]][[Category: Crime|Warriors]][[Category:USA|Warriors]][[Category:Warriors|Teensploitation]][[Category: Barry DeVorzon|Warriors]][[Category: WDEU AM 70|Warriors]]
[[Category:1979|Warriors]][[Category:Films|Warriors]][[Category:Cult Films|Warriors]][[Category: Reviews|Warriors]][[Category: Crime|Warriors]][[Category:Warriors|Teensploitation]][[Category:USA|Warriors]][[Category:Warriors|Teensploitation]][[Category: Barry DeVorzon|Warriors]][[Category: WDEU AM 70|Warriors]]

Revision as of 19:09, 17 September 2011

Warriors.jpg
The Warriors Poster
Warrscreen2.jpg
Warrscreen1.jpg

Usflag.jpg

Tagline

  • These are the Armies of The Night. They are 100,000 strong. They outnumber the cops five to one. They could run New York City. Tonight they're all out to get the Warriors.

Main Details

  • Released in 1979
  • Color
  • Running Time: 93 Min.
  • Production Co: Paramount Pictures
  • Distribution Co: Paramount Pictures (1979) (USA) (theatrical) | Cinéma International Corporation (CIC) (1980) (France) (theatrical)

Cast and Crew

  • Directed by Walter Hill
  • Written by Sol Yurick, David Shaber, Walter Hill
  • Starring Michael Beck, James Remar, Dorsey Wright, Brian Tyler, David Harris, Tom McKitterick, Marcelino Sánchez
  • Produced by Lawrence Gordon, Frank Marshall, Joel Silver
  • Original Music by Barry De Vorzon
  • Cinematography by Andrew Laszlo
  • Film Editing by David Holden

Film Review

Crimeicon.jpg Teensploit.jpg

The Warriors takes place in New York City in the late 70s. The gangs in the film are all of different races and backgrounds and they come across as almost comic book inspired tribes. They all have their own colorful names like: The Baseball Furies, The Orphans, The Turnbull AC's and The Rogues and they wear specific gang clothing. Some are dressed in 40s zoot suits, some are dressed as baseball playing mimes, some have skinheads, some are in sparkling African tribal robes. The film is based on the novel by writer Sol Yurick. With Hill's telling of this heightened reality gang story, we can see shades of Homer's The Odyssey and Xenophon's Anabasis playing underneath.

Hill explores the themes of honor and gives us a great look into just what makes people stick together during tough times. The Warriors are themselves made up of a real melting pot of racially mixed teens: Swan (Michael Beck) Ajax (James Remar) Cowboy (Tom McKitterick), Cochise (David Harris), Cleon (Dorsey Wrights), Snow (Brian Taylor) Fox (Thomas Waites) and Vermin (Terry Michos). The aptly named character Rembrandt (Marcelino Sanchez) is a Puerto Rican artist, the graffiti tagger of the gang who spray paints the Warriors name wherever they pass.

The head leader/preacher that wants to unite the large number of gangs around NYC is named Cyrus (Roger Hill). Cyrus explains that if the gang factions keep a truce and work together as one large organization, soon they could take over the entire city. The gangs cheer Cyrus and he seems to be getting through, but suddenly Cyrrus is senselessly shot by the evil Rogues gang leader Luther (David Patrick Kelly). Luther exclaims that one of The Warriors did it. He screams it out and all the gangs believe it was them. After the killing of Cyrus, the hundreds of gang members all scatter when the police arrive on the scene. The Warriors are now marked for death by every gang in the city and have to dodge the cops as well.

This night will be the test of just how strong a group they truly are. There is a long desperate journey, moving through the different burroughs. The Warriors encounter a gang called The Orphans that werent part of the gang meeting. Things are okay at first, but a local girl named Mercy (Deborah Van Valkenburgh) taunts The Orphans for not kicking The Warriors's asses on the spot. When the leader of The Orphans gets annoyed, he tells The Warriors they can pass without a fight if they take off their colors (gang jackets). Swan refuses and tells the leader to "fuck off". The Warriors keep moving. The Orphans chase after them, but Swan lights a molotov cocktail and throws it at a car, and it explodes. The Orphans don't give anymore of a chase. When the gang make it to the subway, things get complicated when cops show up, forcing them to split up.

Rembrandt, Vermin and Snow have their own trouble when they encounter a deadly gang of women called The Lizzies who seduce, then try to kill them (modern sirens?). As they move through the neon lit, rainy shimmering streets and the trash filled darkness of the city they find themselves becoming split up after the gang members get chased by the police and other rival gangs out to get them. One of the main highlights of the film is the fight with The Baseball Furies, who paint their faces (inspired by the rock group KISS) and wield baseball bats.

The gang, now tired and spent, finally make it back to their home turf in Coney Island where the films opening credits began. After being chased by every gang in NYC all night long, they are confronted by the same gang who framed them in the beginning. Luckily, before Luther gets to shoot Swan, The Warriors are recognized as scapegoats and let go by an African American gang called The Gramercy Park Riff's while the gang that started the entire thing are confronted and punished. As Luther screams out in terror, The Warriors slowly walk into the sunset as 70s guitar hero Joe Walsh's rock anthem "In The City" blasts out over the end credits. The song is dedicated to The Warriors by the same female radio DJ (Lynne Thigpen) that through the entire film has been riduculing them on the air as they ventured through the city's mean streets.

Reviewed by Popeye Pete - 10/17/07

Related Links

Newsletter
  • Grindhouse Database Newsletter
  • Exploitation books
  • Kung fu movies
  • Giallo BluRay