Difference between revisions of "Ganja & Hess"
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Ganja and Hess was originally supposed to be a Blaxploitation film, but Writer-Director Bill Gunn, decided to go another direction completely. The result is one of the most unique and intelligently crafted films to come out of the 1970s cinema explosion. Note: It was the only American Film screened during Critics' Week at the 1973 Cannes Film Festival where it recieved a standing ovation. When it first came out, it was hardly even screened in its original form. Kelly Jordan Enterprises (the company that produced it) were not happy with the arthouse nature of the film. They took the picture out of theaters after only a week and then recut the film from 110 minutes to 78 minutes to try to turn it into a typical Grindhouse-Drive In format. Writer Director Bill Gunn removed his name from the other version. | Ganja and Hess was originally supposed to be a Blaxploitation film, but Writer-Director Bill Gunn, decided to go another direction completely. The result is one of the most unique and intelligently crafted films to come out of the 1970s cinema explosion. Note: It was the only American Film screened during Critics' Week at the 1973 Cannes Film Festival where it recieved a standing ovation. When it first came out, it was hardly even screened in its original form. Kelly Jordan Enterprises (the company that produced it) were not happy with the arthouse nature of the film. They took the picture out of theaters after only a week and then recut the film from 110 minutes to 78 minutes to try to turn it into a typical Grindhouse-Drive In format. Writer Director Bill Gunn removed his name from the other version. | ||
The film is a vampire story, but in no way a conventional one. Dr. Hess Green ([[Night of | The film is a vampire story, but in no way a conventional one. Dr. Hess Green ([[Night of the Living Dead]]'s Duane Jones) is a doctor of anthropology. While in Africa he was stabbed by an ancient Merthian dagger that was diseased with the plague of vampirism. He has returned to the USA and he has become a vampire who needs human blood to survive. Hess is falling deeper into the life of being a non-human, but tries to deal with the evil possession by attending church services in between killing and looking for blood by any means. There are no bats, no quirky transformations in the film, the vampires portrayed in this film are really metaphors for addictions everyone has, they need blood like junkies need heroin. | ||
Hess invites a man named Meda to stay at his home. Meda (Bill Gunn) is suffering from depression and has suicidal tendencies. After telling Hess about his troubles, he tries to kill Hess, but when he fails, he shoots himself after taking a bath. When Hess finds his naked, lifeless body, he sees the blood puddle beside Meda on the floor and he drinks it greedily. He slurps up the blood like a man whos walked through the desert and found water. When Hess feels the need for more blood, he gets it any way he can. In one scene he drives to a doctors office and steals blood plasma bags right out of the medical refrigerator. Then he visits a local prostitute and kills her and drinks her blood. | Hess invites a man named Meda to stay at his home. Meda (Bill Gunn) is suffering from depression and has suicidal tendencies. After telling Hess about his troubles, he tries to kill Hess, but when he fails, he shoots himself after taking a bath. When Hess finds his naked, lifeless body, he sees the blood puddle beside Meda on the floor and he drinks it greedily. He slurps up the blood like a man whos walked through the desert and found water. When Hess feels the need for more blood, he gets it any way he can. In one scene he drives to a doctors office and steals blood plasma bags right out of the medical refrigerator. Then he visits a local prostitute and kills her and drinks her blood. | ||
When Medas' wife Ganja ([[Marlene Clark]]) arrives at Hess' home, things change. She is very beautiful and sexy, and Hess takes her under his vampire wing and they become vampire lovers. There are some very erotic sequences | When Medas' wife Ganja ([[Marlene Clark]]) arrives at Hess' home, things change. She is very beautiful and sexy, and Hess takes her under his vampire wing and they become vampire lovers. There are some very erotic sequences, the film becomes not so much about vampires, more about the very nature of hungers, desires and addiction itself. Later, Ganja seduces another man and ends up killing him, while they make love covered in blood. The vampirism and erotic lovemaking continues and we witness the dark macabre world that Hess lives in. Now he has a lover to experience it with him. | ||
Ganja and Hess is a very experimental film especially for the early 1970s and is definitely more of an Arthouse feature than a "Blaxploitation" film. Writer-Director Bill Gunn's Ganja and Hess was revolutionary for black cinema in very much the same way that Mario Van Peebles and his film Sweet | Ganja and Hess is a very experimental film especially for the early 1970s and is definitely more of an Arthouse feature than a "Blaxploitation" film. Writer-Director Bill Gunn's Ganja and Hess was revolutionary for black cinema in very much the same way that Mario Van Peebles and his film [[Sweet Sweetback's Baadassss Song]] (1971) was. | ||
'''Reviewed by [[User:PopeyePete|Popeye Pete]] - 6/13/07''' | '''Reviewed by [[User:PopeyePete|Popeye Pete]] - 6/13/07''' | ||
Revision as of 19:35, 21 August 2011
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Also Known As
- Black Evil
- Black Vampire (USA) (video title)
- Blackout: The Moment of Terror
- Blood Couple (cut version)
- Double Possession
- Vampires of Harlem
Taglines
- Some Marriages Are Made In Heaven. Others Are Made In Hell.
- The Black Mass of Exorcism! The Only Ritual That Could Promise Them Death...and An End To The Horrors of Possession!
- Double Possession... The Story Of A Man And Woman Possessed By The Devil!
Main Details
- Released in 1973
- Color
- Running Time: 110 min | USA: 78 min (cut version)
- Production Co: Kelly/Jordan Enterprises
- Distribution Co: Kelly/Jordan Enterprises (1973) (USA) (theatrical)
Cast and Crew
- Directed by Bill Gunn
- Written by Bill Gunn
- Starring Marlene Clark, Duane Jones, Bill Gunn, Sam Waymon, Leonard Jackson, Candece Tarpley, Richard Harrow
- Produced by Jack Jordan, Quentin Kelly, Chiz Schultz, Joan Shikegawa
- Original Music by Sam Waymon
- Cinematography by James E. Hinton
- Film Editing by Victor Kanefsky
Film Review
Ganja and Hess was originally supposed to be a Blaxploitation film, but Writer-Director Bill Gunn, decided to go another direction completely. The result is one of the most unique and intelligently crafted films to come out of the 1970s cinema explosion. Note: It was the only American Film screened during Critics' Week at the 1973 Cannes Film Festival where it recieved a standing ovation. When it first came out, it was hardly even screened in its original form. Kelly Jordan Enterprises (the company that produced it) were not happy with the arthouse nature of the film. They took the picture out of theaters after only a week and then recut the film from 110 minutes to 78 minutes to try to turn it into a typical Grindhouse-Drive In format. Writer Director Bill Gunn removed his name from the other version.
The film is a vampire story, but in no way a conventional one. Dr. Hess Green (Night of the Living Dead's Duane Jones) is a doctor of anthropology. While in Africa he was stabbed by an ancient Merthian dagger that was diseased with the plague of vampirism. He has returned to the USA and he has become a vampire who needs human blood to survive. Hess is falling deeper into the life of being a non-human, but tries to deal with the evil possession by attending church services in between killing and looking for blood by any means. There are no bats, no quirky transformations in the film, the vampires portrayed in this film are really metaphors for addictions everyone has, they need blood like junkies need heroin.
Hess invites a man named Meda to stay at his home. Meda (Bill Gunn) is suffering from depression and has suicidal tendencies. After telling Hess about his troubles, he tries to kill Hess, but when he fails, he shoots himself after taking a bath. When Hess finds his naked, lifeless body, he sees the blood puddle beside Meda on the floor and he drinks it greedily. He slurps up the blood like a man whos walked through the desert and found water. When Hess feels the need for more blood, he gets it any way he can. In one scene he drives to a doctors office and steals blood plasma bags right out of the medical refrigerator. Then he visits a local prostitute and kills her and drinks her blood.
When Medas' wife Ganja (Marlene Clark) arrives at Hess' home, things change. She is very beautiful and sexy, and Hess takes her under his vampire wing and they become vampire lovers. There are some very erotic sequences, the film becomes not so much about vampires, more about the very nature of hungers, desires and addiction itself. Later, Ganja seduces another man and ends up killing him, while they make love covered in blood. The vampirism and erotic lovemaking continues and we witness the dark macabre world that Hess lives in. Now he has a lover to experience it with him.
Ganja and Hess is a very experimental film especially for the early 1970s and is definitely more of an Arthouse feature than a "Blaxploitation" film. Writer-Director Bill Gunn's Ganja and Hess was revolutionary for black cinema in very much the same way that Mario Van Peebles and his film Sweet Sweetback's Baadassss Song (1971) was.
Reviewed by Popeye Pete - 6/13/07
