https://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&feed=atom&action=historyWhirlpool/Review - Revision history2024-03-28T16:15:21ZRevision history for this page on the wikiMediaWiki 1.36.1https://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=165853&oldid=prevJKData at 00:46, 15 April 20202020-04-15T00:46:01Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven to be correct as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. To be more cruel, the two men hop in the car and begin to drive off leaving her stranded, but then stop and explain to her it was all a big joke. Tulia knows she's truly in peril when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven to be correct as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. To be more cruel, the two men hop in the car and begin to drive off leaving her stranded, but then stop and explain to her it was all a big joke. Tulia knows she's truly in peril when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual classics like Peeping Tom, Psycho and [[I Spit <del style="font-weight: bold; text-decoration: none;">on </del>Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[:Category: Stelvio Cipriani|Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual classics like Peeping Tom, Psycho and [[I Spit <ins style="font-weight: bold; text-decoration: none;">On </ins>Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[:Category: Stelvio Cipriani|Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
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</table>JKDatahttps://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=160230&oldid=prevJKData at 15:14, 21 November 20192019-11-21T15:14:51Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:14, 21 November 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15">Line 15:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven to be correct as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. To be more cruel, the two men hop in the car and begin to drive off leaving her stranded, but then stop and explain to her it was all a big joke. Tulia knows she's truly in peril when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven to be correct as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. To be more cruel, the two men hop in the car and begin to drive off leaving her stranded, but then stop and explain to her it was all a big joke. Tulia knows she's truly in peril when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual classics like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual classics like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[<ins style="font-weight: bold; text-decoration: none;">:Category: Stelvio Cipriani|</ins>Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
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</table>JKDatahttps://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=156180&oldid=prevPete at 12:55, 19 August 20192019-08-19T12:55:40Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:55, 19 August 2019</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven to be correct as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. <del style="font-weight: bold; text-decoration: none;">In even </del>more <del style="font-weight: bold; text-decoration: none;">cruelty</del>, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in peril when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven to be correct as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. <ins style="font-weight: bold; text-decoration: none;">To be </ins>more <ins style="font-weight: bold; text-decoration: none;">cruel</ins>, the two <ins style="font-weight: bold; text-decoration: none;">men </ins>hop in the car and begin to drive off <ins style="font-weight: bold; text-decoration: none;">leaving her stranded</ins>, but then stop and explain to her it was all a big joke. Tulia knows she's truly in peril when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual classics like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual classics like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=156179&oldid=prevPete at 12:52, 19 August 20192019-08-19T12:52:59Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:52, 19 August 2019</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven <del style="font-weight: bold; text-decoration: none;">true </del>as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in <del style="font-weight: bold; text-decoration: none;">danger </del>when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven <ins style="font-weight: bold; text-decoration: none;">to be correct </ins>as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In <ins style="font-weight: bold; text-decoration: none;">even </ins>more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in <ins style="font-weight: bold; text-decoration: none;">peril </ins>when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual classics like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual classics like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=156174&oldid=prevPete at 10:55, 19 August 20192019-08-19T10:55:09Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual <del style="font-weight: bold; text-decoration: none;">movies </del>like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual <ins style="font-weight: bold; text-decoration: none;">classics </ins>like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl5.jpg|551px]] [[File:Whirl6.jpg|550px]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl5.jpg|551px]] [[File:Whirl6.jpg|550px]]</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=156067&oldid=prevPete at 15:15, 15 August 20192019-08-15T15:15:49Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:15, 15 August 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13">Line 13:</td>
<td colspan="2" class="diff-lineno">Line 13:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by <del style="font-weight: bold; text-decoration: none;">them</del>. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by <ins style="font-weight: bold; text-decoration: none;">their actions, especially Karl who is a total loon with a camera</ins>. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=156066&oldid=prevPete at 15:15, 15 August 20192019-08-15T15:15:07Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:15, 15 August 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13">Line 13:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get <del style="font-weight: bold; text-decoration: none;">disturbed </del>by them. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get <ins style="font-weight: bold; text-decoration: none;">alarmed </ins>by them. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=156065&oldid=prevPete at 14:51, 15 August 20192019-08-15T14:51:45Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:51, 15 August 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l17">Line 17:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl5.jpg|<del style="font-weight: bold; text-decoration: none;">550px</del>]] [[File:Whirl6.jpg|550px]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl5.jpg|<ins style="font-weight: bold; text-decoration: none;">551px</ins>]] [[File:Whirl6.jpg|550px]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Whirlpool has recently been released in a new BluRay box set from [[:Category:Arrow Video|Arrow Video]] entitled [[Blood Hunger: The Films of José Larraz (BluRay)|Blood Hunger: The Films of José Larraz]]. It's been given a full 2K restoration and comes with a variety of extra features including a brand new audio commentary by scholar Tim Lucas which will delve into the history and making of the movie for interested aficionados. This one gets my GCDb recommendation.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Whirlpool has recently been released in a new BluRay box set from [[:Category:Arrow Video|Arrow Video]] entitled [[Blood Hunger: The Films of José Larraz (BluRay)|Blood Hunger: The Films of José Larraz]]. It's been given a full 2K restoration and comes with a variety of extra features including a brand new audio commentary by scholar Tim Lucas which will delve into the history and making of the movie for interested aficionados. This one gets my GCDb recommendation.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=156060&oldid=prevPete at 14:34, 15 August 20192019-08-15T14:34:19Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:34, 15 August 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><center>[[File:Whirltop.png|800px|link=Whirlpool]]</center></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><center>[[File:Whirltop.png|800px|link=Whirlpool]]</center></div></td></tr>
<tr><td colspan="2"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''"As a movie it's despicable" - Roger Ebert''</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Years before I had heard the actual title or seen this 1970 British/Danish co-production, I first became aware of Jose Ramon Larraz' [[Whirlpool]] from the 42nd Street Grindhouse bible [[Sleazoid Express]]. Yep, that's the poster for the movie smack dab on the cover. It's an image from one of the most shocking scenes in the movie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Years before I had heard the actual title or seen this 1970 British/Danish co-production, I first became aware of Jose Ramon Larraz' [[Whirlpool]] from the 42nd Street Grindhouse bible [[Sleazoid Express]]. Yep, that's the poster for the movie smack dab on the cover. It's an image from one of the most shocking scenes in the movie.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get disturbed by them. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get disturbed by them. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which <del style="font-weight: bold; text-decoration: none;">for me </del>means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl5.jpg|550px]] [[File:Whirl6.jpg|550px]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl5.jpg|550px]] [[File:Whirl6.jpg|550px]]</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Whirlpool/Review&diff=156059&oldid=prevPete at 14:29, 15 August 20192019-08-15T14:29:40Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:29, 15 August 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13">Line 13:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get disturbed by them. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As Tulia spends more time with creepy Karl and Sara, she begins to get disturbed by them. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho<del style="font-weight: bold; text-decoration: none;">, [[Corruption]] </del>and [[I Spit on Your Grave]], which for me means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which for me means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl5.jpg|550px]] [[File:Whirl6.jpg|550px]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Whirl5.jpg|550px]] [[File:Whirl6.jpg|550px]]</div></td></tr>
</table>Pete