Difference between revisions of "Whirlpool/Review"

From The Grindhouse Cinema Database

< Whirlpool
(2 intermediate revisions by the same user not shown)
Line 13: Line 13:
 
[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]
 
[[File:Whirl3.jpg|550px]] [[File:Whirl4.jpg|560px]]
  
As Tulia spends more time with creepy Karl and Sara, she begins to get disturbed by them. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.
+
As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.
  
 
This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.
 
This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and [[I Spit on Your Grave]], which means it's an overlooked gem. The rustic atmosphere and striking score by [[Stelvio Cipriani]] just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.
  
[[File:Whirl5.jpg|550px]] [[File:Whirl6.jpg|550px]]
+
[[File:Whirl5.jpg|551px]] [[File:Whirl6.jpg|550px]]
  
 
Whirlpool has recently been released in a new BluRay box set from [[:Category:Arrow Video|Arrow Video]] entitled [[Blood Hunger: The Films of José Larraz (BluRay)|Blood Hunger: The Films of José Larraz]]. It's been given a full 2K restoration and comes with a variety of extra features including a brand new audio commentary by scholar Tim Lucas which will delve into the history and making of the movie for interested aficionados. This one gets my GCDb recommendation.
 
Whirlpool has recently been released in a new BluRay box set from [[:Category:Arrow Video|Arrow Video]] entitled [[Blood Hunger: The Films of José Larraz (BluRay)|Blood Hunger: The Films of José Larraz]]. It's been given a full 2K restoration and comes with a variety of extra features including a brand new audio commentary by scholar Tim Lucas which will delve into the history and making of the movie for interested aficionados. This one gets my GCDb recommendation.

Revision as of 15:15, 15 August 2019

Whirltop.png

"As a movie it's despicable" - Roger Ebert

Years before I had heard the actual title or seen this 1970 British/Danish co-production, I first became aware of Jose Ramon Larraz' Whirlpool from the 42nd Street Grindhouse bible Sleazoid Express. Yep, that's the poster for the movie smack dab on the cover. It's an image from one of the most shocking scenes in the movie.

Whirl1.jpg Whirl2.jpg

Karl Lanchbury (Vampyres) stars as Theo, a young photographer who lives in a English countryside estate with his much older aunt Sara (Pia Andersson). The film moves right into sleazy action as Sara invites a young beautiful fashion model named Tulia (Vivian Neves) to the home. Soon after she and Theo begin their manipulation of the young girl with booze and other substances. Before we know it, they are into a game of strip poker which leads to a sexy menage a trois. Along with participating in this steamy fling, Karl watches and takes photographs of Sara and Tulia as they make love together.

We learn that Tulia is not the first person to be drawn into these sexual games by Karl and Sara. A girl named Rhonda (Johanna Hegger) was the last "model" they shared, but she has mysteriously dissapeared. This later brings an unwanted guest in the form of an inspector (Barry Craine) who confronts Karl and inquires about Rhonda's whereabouts. Karl explains that he did in fact photograph Rhonda but she left and flew to Italy weeks earlier which clears him of any suspicion for the time being.

Whirl3.jpg Whirl4.jpg

As Tulia spends more time with creepy Karl and Sara, she begins to get alarmed by their actions, especially Karl who is a total loon with a camera. Her fears are proven true as one day Karl and his friend drive down a dirt road and sexually attack her in the woods. Karl takes photos as his buddy rapes Tulia and pulls her clothes off. In more cruelty, the two hop in the car and begin to drive off, but then stop and explain to her it was all a big joke. Tulia knows she's truly in danger when she discovers some disturbing photos in Karl's darkroom. This is where we see a flashback that clues us in on what really happened to Rhonda.

This film really delivers on all the perverse thrills and nastiness a good 70s Grindhouse era film should. It reminded me of other psycho-sexual movies like Peeping Tom, Psycho and I Spit on Your Grave, which means it's an overlooked gem. The rustic atmosphere and striking score by Stelvio Cipriani just enhance the experience. What I liked most about it was it's a well made film and keeps you on the edge of your seat all the way through. The ending is also really memorable and doesn't stop where you think it will.

Whirl5.jpg Whirl6.jpg

Whirlpool has recently been released in a new BluRay box set from Arrow Video entitled Blood Hunger: The Films of José Larraz. It's been given a full 2K restoration and comes with a variety of extra features including a brand new audio commentary by scholar Tim Lucas which will delve into the history and making of the movie for interested aficionados. This one gets my GCDb recommendation.

Pete2.jpg
Peter Roberts is the co-founder/editor-in-chief of the Grindhouse Cinema Database (GCDb) and contributor to the GCDb's sister site Furious Cinema. He is an avid film fan that has been immersed in the world of entertainment and pop culture his entire life.
Newsletter
  • Grindhouse Database Newsletter
  • Exploitation books
  • Kung fu movies
  • Giallo BluRay