Difference between revisions of "Mozambique BluRay Review"

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''Review of the [[Mozambique]] (aka "xxx") BluRay release by Blue Underground, a double feature with [[Code 7, Victim 5]] ([[Code 7 Victim 5! BluRay Review|read a separate review here]]).''
''Review of the [[Mozambique]] BluRay release by Blue Underground, a double feature with [[Code 7, Victim 5]] ([[Code 7 Victim 5! BluRay Review|read a separate review here]]).''
[[File:Code7dfblu.jpg|400px|right|Code 7 Victim 5|link=http://www.amazon.com/Code-7-Victim-5-and-Mozambique-Blu-ray/dp/B019EC9R80/ref=as_li_tl?tag=deuce-20]]
[[File:Code7dfblu.jpg|400px|right|Code 7 Victim 5|link=http://www.amazon.com/Code-7-Victim-5-and-Mozambique-Blu-ray/dp/B019EC9R80/ref=as_li_tl?tag=deuce-20]]
Story.....
In Lisbon, the unemployed pilot Webster ('''Steve Cochran''') is offered a job in Mozambique (a former Portuguese colony). Faced with either prison for a bar brawl and continued unemployment, he takes the job and gets on a plane, without knowing much more than the fact that he’s s supposed to meet a Colonel Valdez at his night club. On the plane he meets young Christina ('''Vivi Bach'''), who seems to have the same benefactor and employer, a certain Colonel Valdez, who hired her to sing in the club. It seems the Colonel died a day before their arrival. So Webster and her will take his orders from a Da Silva ('''Martin Benson'''), who took over the various business interests, while keeping the Colonel's widow Ilona ('''Hildegarde Neff''') at arm’s length. Cochrane gets suspicious because for one, the club seems to be more of a brothel than a respectable business establishment, so he morphs into Christina’s saviour and love interest. At the same time, he starts flying drug routes for Da Silva, who joined forces with Valdez’ former nemesis Henderson ('''Dietmar Schoenherr'''), who becomes both Cochrane’s chaperon and somehow the key to solving the connection between the murder in Lisbon, the death of the Colonel and the boxes full of pharmaceuticals Da Silva is smuggling for the Arabs….


In Lisbon, the unemployed pilot Webster (XX) is offered a job in Mozambique (a former Portuguese colony). Faced with either prison for a bar brawl and continued unemployment, he takes the job and gets on a plane. There he meets Christina (Vivi Bach), who seems to have the same benefactor and employer, a certain Colonel Valdez, who hired her to sing in his club, but died a day before Webster's arrival. So Webster and her will take his orders from a Da Silva (Martin Benson) and the Colonel's widow Ilona (Hildegarde Neff).
The 60s were a great time to go to the movies. The screen was busy with movies of all stripes, wherever you lived there were a range of movie theatres to visit, and the post-war economic boom still meant that if you had some kind of decent job you had realistic ambitions to live a great life. No wonder then that, especially in Europe, movies with exotic locations, fast cars, nice girls and exciting adventures were super successful. Westerns raked in all the main stream cash, but there was a slow and steady output of international crime fix, and “[[:Category:Spy Films|EuroSpy]]” '''James Bond''' clones or even [[:Category:Mondo|Mondo]] movies for the shadier theaters (in Germany usually located within train stations). [[Mozambique]] is one of those exciting international crime outings that are textbook exploitation: exploiting everything on offer (locations, bikini girls, danger, crime, drugs, foreign cultures) to make up for everything it didn’t have (budget, script, quality). The post-war generation had entertaining films like this to pass the time out at the movies, flicks that didn’t take itself too seriously. They probably offered the actors a trip to holiday destinations to make up for lower pay, I assume.


henderson (schoenherr)
[[File:Mozambique3.png|Mozambique]]
club
everyone hated the colonel
 
The 60s were a great time to go to the movies. The screen was busy with movies of all stripes, wherever you lived there were a range of movie theatres to visit, and the post-war economic boom still meant that if you had some kind of decent job you had realistic ambitions to live a great life. No wonder then that, especially in Europe, movies with exotic locations, fast cars, nice girls and exciting adventures were super successful. Westerns raked in all the main stream cash, but there was a slow and steady output of international crime fix, and “[[:Category:Spy Films|EuroSpy]]” '''James Bond''' clones or even [[:Category:Mondo|Mondo]] movies for the shadier theaters (in Germany usually located within train stations). [[Mozambique]] is one of those exciting international ...........!


[[File:Mozambique1.png|Mozambique]]
It made sense for Blue Underground to bundle this with [[Code 7, Victim 5]] ([[Code 7 Victim 5! BluRay Review|see my review earlier this month]]), as they share  premise, recipe and makers. Again there’s a mysterious murder in the first few minutes and then an American gets sent to an exotic location to solve some sort of crime puzzle, his employers’ dubious motivations one of them. This time it’s Steve Cochran’s to star, or whom this was one of the last big outings as a movie actor. His career started after the war and went rather well, but then fizzled out on television. He had charm, but I don’t think he has the screen presence to carry a film, and his face makes for a good boxer but not a movie star. He’s joined y Hildegarde Neff (her real name is '''Hildegard Knef''', a household name in her native Germany, she passed away in 2002) and Paul Hubschmid (as the Portuguese cop Commaro pulling the strings from Lisbon), the Swiss actor who starred in dozens of movies, including Fritz Lang's '''Tiger of Bengal'''.


Text
Neff (or Knef) is not the only German touch of course, as there’s plenty of sneaky Lufthansa promotion in the movie, as with the last film, and Dietmar Schoenherr (another highly popular German actor of his time, he passed away in 2014) is back, again as a shady villain. As the German title of this film, which roughly translates to “Blonde Freight for Sansibar” suggest, there has to be a pretty blond girl in it, and for [[Mozambique]], it’s Vivi Bach, Schonherr’s wife since 1965. She survived her husband but passed away two years ago. Then there’s Martin Benson (he had an appearance in '''Goldfinger'''), and ridiculously Gert van den Bergh ('''Zulu''') playing an Arab. Oh yes these movies were racist and full of colonial arrogance. George Leech, one of Da Silva's henchmen, appeared in a whole bunch of James Bond movies. Insiders will spot Maria Rohm in some of the club scenes.
The credits say Steve Cochran, Hildegarde Neff (who passed away in 2002, a household name in Germany under her real name Hildegard Knef), Paul Hubschmid


again Dietmar Schonherr (passed away 2014), and there is also his wife since 1965, Vivi Bach (who passed away 2013), Martin Benson, Gert van den Bergh and George Leech
It’s another of those Harry Alan Towers films. He prolific output during his era is a mixed bag, but I think he deserves a lot of credit to sink money into a colourful variety of films, something we don’t get much anymore these days. The story for this one is by Peter Welbeck (guess what, that's also Harry Alan Towers). The music by Johnny Douglas is forgettable. Director '''Robert Lynn''' also directed [[Code 7, Victim 5!]] (which accompanies this double feature BluRay) and worked as assistant director for two of the Superman movies. In [[Mozambique]], the craftsmanship is even worse, and a lot more visible. Camerawork, editing and structure are on TV level, but with the scenery you’d expect from a Bond film.
 
Maria Rohm can also be spotted in the club at the beginning.
 
cochrane this was pretty much the last big outing in a movie. his career started after the war and went alright, but then faded away mostly in television he's got charme, but not much screen presence, and a face like a boxer, not a movie star.
 
story again peter welbeck
 
music johnny douglas
 
producer harry alan towers
 
again starts with a murder, in what seems to be a spanish town
 
director '''Robert Lynn''' put into it maybe. He also directed [[Mozambique]] (which accompanies this double feature BluRay) and worked as assistant director for two of the Superman movies.  


[[File:Mozambique2.png|Mozambique]]
[[File:Mozambique2.png|Mozambique]]
Line 36: Line 17:
Text
Text


[[File:Mozambique3.png|Mozambique]]
[[File:Mozambique1.png|Mozambique]]


The '''BluRay''' contains both movies on one disc (both are short, so maybe that's why) without any extras other than the Trailers (a shame, as there are extras out there that might've been worth including). The transfer is great, aside from some dirt and faded parts the movie looks stunning, bright, colorful and contrast-rich. The audio track (only English offered) sounds decent, as well, with occasional hisses present but overall a satisfying presentation. It's great to experience this movie not as a run down TV recording but a remastered version that looks better than it might have looked a few weeks into its theatrical run.
The '''BluRay''' contains both movies on one disc (both are short, so maybe that's why) without any extras other than the Trailers (a shame, as there are extras out there that might've been worth including). The transfer is great, aside from some dirt and faded parts the movie looks good, bright, colorful and contrast-rich. It's a big low on detail, so maybe just 2k, not 4k remastered? The audio track (only English offered) sounds decent, as well, with lots of hisses present but overall a satisfying presentation. It's great to experience this movie not as a run down TV recording but a remastered version that looks better than it might have looked a few weeks into its theatrical run.


All in all, .............. Not a bad deal. Also do read my review of [[Code 7, Victim 5]].
All in all, .............. Not a bad deal. Also do read my review of [[Code 7, Victim 5]].

Revision as of 13:19, 31 May 2016

Review of the Mozambique BluRay release by Blue Underground, a double feature with Code 7, Victim 5 (read a separate review here).

Code 7 Victim 5

In Lisbon, the unemployed pilot Webster (Steve Cochran) is offered a job in Mozambique (a former Portuguese colony). Faced with either prison for a bar brawl and continued unemployment, he takes the job and gets on a plane, without knowing much more than the fact that he’s s supposed to meet a Colonel Valdez at his night club. On the plane he meets young Christina (Vivi Bach), who seems to have the same benefactor and employer, a certain Colonel Valdez, who hired her to sing in the club. It seems the Colonel died a day before their arrival. So Webster and her will take his orders from a Da Silva (Martin Benson), who took over the various business interests, while keeping the Colonel's widow Ilona (Hildegarde Neff) at arm’s length. Cochrane gets suspicious because for one, the club seems to be more of a brothel than a respectable business establishment, so he morphs into Christina’s saviour and love interest. At the same time, he starts flying drug routes for Da Silva, who joined forces with Valdez’ former nemesis Henderson (Dietmar Schoenherr), who becomes both Cochrane’s chaperon and somehow the key to solving the connection between the murder in Lisbon, the death of the Colonel and the boxes full of pharmaceuticals Da Silva is smuggling for the Arabs….

The 60s were a great time to go to the movies. The screen was busy with movies of all stripes, wherever you lived there were a range of movie theatres to visit, and the post-war economic boom still meant that if you had some kind of decent job you had realistic ambitions to live a great life. No wonder then that, especially in Europe, movies with exotic locations, fast cars, nice girls and exciting adventures were super successful. Westerns raked in all the main stream cash, but there was a slow and steady output of international crime fix, and “EuroSpyJames Bond clones or even Mondo movies for the shadier theaters (in Germany usually located within train stations). Mozambique is one of those exciting international crime outings that are textbook exploitation: exploiting everything on offer (locations, bikini girls, danger, crime, drugs, foreign cultures) to make up for everything it didn’t have (budget, script, quality). The post-war generation had entertaining films like this to pass the time out at the movies, flicks that didn’t take itself too seriously. They probably offered the actors a trip to holiday destinations to make up for lower pay, I assume.

Mozambique

It made sense for Blue Underground to bundle this with Code 7, Victim 5 (see my review earlier this month), as they share premise, recipe and makers. Again there’s a mysterious murder in the first few minutes and then an American gets sent to an exotic location to solve some sort of crime puzzle, his employers’ dubious motivations one of them. This time it’s Steve Cochran’s to star, or whom this was one of the last big outings as a movie actor. His career started after the war and went rather well, but then fizzled out on television. He had charm, but I don’t think he has the screen presence to carry a film, and his face makes for a good boxer but not a movie star. He’s joined y Hildegarde Neff (her real name is Hildegard Knef, a household name in her native Germany, she passed away in 2002) and Paul Hubschmid (as the Portuguese cop Commaro pulling the strings from Lisbon), the Swiss actor who starred in dozens of movies, including Fritz Lang's Tiger of Bengal.

Neff (or Knef) is not the only German touch of course, as there’s plenty of sneaky Lufthansa promotion in the movie, as with the last film, and Dietmar Schoenherr (another highly popular German actor of his time, he passed away in 2014) is back, again as a shady villain. As the German title of this film, which roughly translates to “Blonde Freight for Sansibar” suggest, there has to be a pretty blond girl in it, and for Mozambique, it’s Vivi Bach, Schonherr’s wife since 1965. She survived her husband but passed away two years ago. Then there’s Martin Benson (he had an appearance in Goldfinger), and ridiculously Gert van den Bergh (Zulu) playing an Arab. Oh yes these movies were racist and full of colonial arrogance. George Leech, one of Da Silva's henchmen, appeared in a whole bunch of James Bond movies. Insiders will spot Maria Rohm in some of the club scenes.

It’s another of those Harry Alan Towers films. He prolific output during his era is a mixed bag, but I think he deserves a lot of credit to sink money into a colourful variety of films, something we don’t get much anymore these days. The story for this one is by Peter Welbeck (guess what, that's also Harry Alan Towers). The music by Johnny Douglas is forgettable. Director Robert Lynn also directed Code 7, Victim 5! (which accompanies this double feature BluRay) and worked as assistant director for two of the Superman movies. In Mozambique, the craftsmanship is even worse, and a lot more visible. Camerawork, editing and structure are on TV level, but with the scenery you’d expect from a Bond film.

Mozambique

Text

Mozambique

The BluRay contains both movies on one disc (both are short, so maybe that's why) without any extras other than the Trailers (a shame, as there are extras out there that might've been worth including). The transfer is great, aside from some dirt and faded parts the movie looks good, bright, colorful and contrast-rich. It's a big low on detail, so maybe just 2k, not 4k remastered? The audio track (only English offered) sounds decent, as well, with lots of hisses present but overall a satisfying presentation. It's great to experience this movie not as a run down TV recording but a remastered version that looks better than it might have looked a few weeks into its theatrical run.

All in all, .............. Not a bad deal. Also do read my review of Code 7, Victim 5.

Special thanks to Blue Underground for providing the BluRay, and thanks to mondo-digital.com for taking helpful screenshots.


Sebround.jpg

Sebastian, co-founder and admin of the Grindhouse Cinema Database (GCDb). He also started The Spaghetti Western Database (SWDb), The Quentin Tarantino Archives, The Robert Rodriguez Archives, Nischenkino and Furious Cinema. Outside of movies, he works on the intersection of technology and policy. He lives in Berlin, Germany.

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