Difference between revisions of "Maniac BluRay review"

From The Grindhouse Cinema Database

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At just under 90 minutes, '''[[Maniac]]''' clocks a concise thrill, never meandering, building up nicely and not wasting time. Joe Spinnell nails it as the titular Maniac, whose motivation we are left to decypher. There are a few hints, like his mommy complex, a childhood trauma, and his military past (jacket, bayonet, etc.), the latter I thought would indicate a PTSD type movie but for a 1980 movie, Vietnam was a long way gone.  
At just under 90 minutes, '''[[Maniac]]''' clocks a concise thrill, never meandering, building up nicely and not wasting time. Joe Spinnell nails it as the titular Maniac, whose motivation we are left to decypher. There are a few hints, like his mommy complex, a childhood trauma, and his military past (jacket, bayonet, etc.), the latter I thought would indicate a PTSD type movie but for a 1980 movie, Vietnam was a long way gone.  


What's interesting about Maniac, is that from very early on we know who the Maniac is, but we hardly know who the  victims are. Wheras, in the [[:Category:Giallo|Giallo]] of Italian cinema fashion, it is usually the other way around. In fact, Maniac would have been quite an amazing Giallo were it not for the revealing of the slasher. A lot of the stylistic devices of the Giallo are there, and let's be honest: it's brutal and vicious, but despite all the blood and FX, the shock effect is dated and it is a rather tame affair in the end. Just a wee bit of nudity thrown in for good measure - yet some of Lustig"s Italian compatriots would have made this a much raunchier affair to be sure.
What's interesting about Maniac, is that from very early on we know who the Maniac is, but we hardly know who the  victims are. Wheras, in the [[:Category:Giallo|Giallo]] of Italian cinema fashion, it is usually the other way around. In fact, Maniac would have been quite an amazing Giallo were it not for the revealing of the slasher. A lot of the stylistic devices of the Giallo are there, and let's be honest: it's brutal and vicious, but despite all the blood and FX, the shock effect is dated and it is a rather tame affair in the end. Just a wee bit of nudity thrown in for good measure - yet some of Lustig"s Italian compatriots would have made this a much raunchier affair to be sure.
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Until recently the movie was still banned in Germany, in the notorious company of a lot of movies made in this era that seemed to make it not clear enough that the violence is bad, and of course in this movie the violence is stimulating the perpetrator, so even worse for the censors. Now, [[Maniac]] probably sets itself apart from others in that it serves up a particularly blunt type of violence that initially seems random and driven by pure lust, it's only later when we piece it together that Frank's pathological defect shows and the violence turns out to be uncontrolled outbursts of almost a split personality, something he is fighting, something he is talking to himself about, but that takes over and absolutely dominates him.
Until recently the movie was still banned in Germany, in the notorious company of a lot of movies made in this era that seemed to make it not clear enough that the violence is bad, and of course in this movie the violence is stimulating the perpetrator, so even worse for the censors. Now, [[Maniac]] probably sets itself apart from others in that it serves up a particularly blunt type of violence that initially seems random and driven by pure lust, it's only later when we piece it together that Frank's pathological defect shows and the violence turns out to be uncontrolled outbursts of almost a split personality, something he is fighting, something he is talking to himself about, but that takes over and absolutely dominates him.


Spinell does a fantastic job playing Frank, and no wonder the movie has evolved into a certain cult hit with a devoted audience. It seats nicely in a canon of films like [[Halloween]] or [[Silent Night, Deadly Night]] and so on.
Spinell does a fantastic job playing Frank, and no wonder the movie has evolved into a certain cult hit with a devoted audience. It seats nicely in a canon of films like [[Halloween]] or [[Silent Night, Deadly Night]] and so on.


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====The BluRay====
====The BluRay====
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They outdid themselves with language options on this one. They carried over from previous releases the original track remastered in a (rather unnecessary) 7.1. DTS-HD MA track, its 2.0 alternative option (would have sufficed, the 7.1 track, tested on a 5.1 system, offers hardly anything resembling surround sound). Along with that there are Dolby Digital 2.0 tracks of the Spanish, French, Italian and German dubs!
They outdid themselves with language options on this one. They carried over from previous releases the original track remastered in a (rather unnecessary) 7.1. DTS-HD MA track, its 2.0 alternative option (would have sufficed, the 7.1 track, tested on a 5.1 system, offers hardly anything resembling surround sound). Along with that there are Dolby Digital 2.0 tracks of the Spanish, French, Italian and German dubs!
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But that's not all, there's subtitle options in English (SDH), French, Spanish, Portuguese, Japanese, Mandarin, Korean, Thai, Danish, Finnish, Dutch, Swedish, Russian. All in all, this is a commendable effort, and the disc being free of region coding means this is a great import/export version for the global market of fans.
But that's not all, there's subtitle options in English (SDH), French, Spanish, Portuguese, Japanese, Mandarin, Korean, Thai, Danish, Finnish, Dutch, Swedish, Russian. All in all, this is a commendable effort, and the disc being free of region coding means this is a great import/export version for the global market of fans.

Revision as of 13:34, 31 December 2019

Review of the Blue Underground 3-Disc Limited Edition region-free re-release of Maniac in the new 4K Restoration, released in lenticular packaging, of December 2018.

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The movie tells the story of Frank Zito (Joe Spinell), a psychopatic loner, who lives in an apartment filled with fashion dolls and who ventures outside to kill random people. He gruesomely murders a couple at the beach, a prostitute, a dancer, and so on. It seems like something in him snaps, especially when childhood memories creep up in him and his demonic side takes over. When he meets a young photographer Anna (Caroline Munro) it seems like he can get a grip on things and have a normal social relationship with her. They go out on dates and meet friends, but he's still the Maniac....

At just under 90 minutes, Maniac clocks a concise thrill, never meandering, building up nicely and not wasting time. Joe Spinnell nails it as the titular Maniac, whose motivation we are left to decypher. There are a few hints, like his mommy complex, a childhood trauma, and his military past (jacket, bayonet, etc.), the latter I thought would indicate a PTSD type movie but for a 1980 movie, Vietnam was a long way gone.

What's interesting about Maniac, is that from very early on we know who the Maniac is, but we hardly know who the victims are. Wheras, in the Giallo of Italian cinema fashion, it is usually the other way around. In fact, Maniac would have been quite an amazing Giallo were it not for the revealing of the slasher. A lot of the stylistic devices of the Giallo are there, and let's be honest: it's brutal and vicious, but despite all the blood and FX, the shock effect is dated and it is a rather tame affair in the end. Just a wee bit of nudity thrown in for good measure - yet some of Lustig"s Italian compatriots would have made this a much raunchier affair to be sure.

Until recently the movie was still banned in Germany, in the notorious company of a lot of movies made in this era that seemed to make it not clear enough that the violence is bad, and of course in this movie the violence is stimulating the perpetrator, so even worse for the censors. Now, Maniac probably sets itself apart from others in that it serves up a particularly blunt type of violence that initially seems random and driven by pure lust, it's only later when we piece it together that Frank's pathological defect shows and the violence turns out to be uncontrolled outbursts of almost a split personality, something he is fighting, something he is talking to himself about, but that takes over and absolutely dominates him.

Spinell does a fantastic job playing Frank, and no wonder the movie has evolved into a certain cult hit with a devoted audience. It seats nicely in a canon of films like Halloween or Silent Night, Deadly Night and so on.

The BluRay

Blue Underground has released this one a few times before, each release better than the earlier one. No wonder the company puts so much devotion into it, it's the director's own company. This release adds to the previous 30th anniversary edition (see Pete's review here) in a few details, the biggest jump being the new 4K scan of rediscovered 16mm originals that make up this presentation.

The video quality then is quite nice, but the material clearly shows. 16mm doesn't offer the detail and sharpness of larger formats and scanning at 4K cannot undo that fact. The colors come out nicely in this transfer and the image is clear of dirt and damage, but it is often a bit blurry and overly grainy. That works perfectly with this movie, it's just important to say so as not to raise undue expectations. Having said that, it's a gigantic leap from the 2010 transfer Blue Underground could offer on the last release. Colors, detail and contrast levels of this transfer do the movie justice (finally) and will please fans of the film.

They outdid themselves with language options on this one. They carried over from previous releases the original track remastered in a (rather unnecessary) 7.1. DTS-HD MA track, its 2.0 alternative option (would have sufficed, the 7.1 track, tested on a 5.1 system, offers hardly anything resembling surround sound). Along with that there are Dolby Digital 2.0 tracks of the Spanish, French, Italian and German dubs!

But that's not all, there's subtitle options in English (SDH), French, Spanish, Portuguese, Japanese, Mandarin, Korean, Thai, Danish, Finnish, Dutch, Swedish, Russian. All in all, this is a commendable effort, and the disc being free of region coding means this is a great import/export version for the global market of fans.

With the extras on this disc I'm gonna refer you to Pete's review and only go into the stuff that's new. This release spreads the extras across the two BluRays, while the previous release had extras on a DVD.

Disc 1 contains the two audio commentaries already present on the previous release as well as trailers, TV and radio spots. Disc 2 contains the interviews with Caroline Munro (Anna and the killer), with Tom Savini (The Death Dealer), with Jay Chattaway (Dark Notes), with Sembello and Matosky (Maniac Men) all from the previous release. Also included is the previously known Joe Spinell story (49min), the Mr. Robbie promo reel and Maniac publicity and Maniac controversy featurettes, both containing reports and interviews and clips all included on the previous release.

What's new are two extras. One is 20 minutes of outtakes with director commentary and introductions, the other is a new interview with Bill Lustig (Returning to the scene of the crime) that goes for 8 minutes and is shot on some of the locations.

The third disc is the soundtrack CD with the score by Jay Chattaway. The first pressing comes in lenticular packaging, and includes a booklet with new 2018 liner notes by Michael Gingold about the production of the film and the possible follow-up films that did and didn't come to fruition. There's also coupon codes for Eibonpress included in the package.

Conclusion: XXX



Sebround.jpg

Sebastian, co-founder and admin of the Grindhouse Cinema Database (GCDb). He also started The Spaghetti Western Database (SWDb), The Quentin Tarantino Archives, The Robert Rodriguez Archives, Nischenkino and Furious Cinema. Outside of movies, he works on the intersection of technology and policy. He lives in Berlin, Germany.

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