https://www.grindhousedatabase.com/index.php?title=INTRODUCTION&feed=atom&action=historyINTRODUCTION - Revision history2024-03-29T13:52:36ZRevision history for this page on the wikiMediaWiki 1.36.1https://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=209232&oldid=prevPete at 16:41, 31 January 20242024-01-31T16:41:04Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Watch the documentary: [[American Grindhouse]]'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Watch the documentary: [[American Grindhouse]]'''</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Watch the documentary: [[Not Quite Hollywood]]'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''Watch the documentary: [[Not Quite Hollywood]]'''</div></td></tr>
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</table>Petehttps://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=207262&oldid=prevPete at 15:29, 30 November 20232023-11-30T15:29:27Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''<i class="fa fa-info-circle" aria-hidden="true"></i> Welcome to the GCDb BEGINNER'S GUIDE TO CLASSIC EXPLOITATION CINEMA. This is a starting point for people who are new to these kinds of films and find themselves confused by the sheer overwhelming number of them. This page will provide an easy general introduction and a number of tips on films you should watch. This page is also ideal for those who want to make sure they know the basics and are just interested in learning more'''.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''<i class="fa fa-info-circle" aria-hidden="true"></i> Welcome to the GCDb BEGINNER'S GUIDE TO CLASSIC EXPLOITATION CINEMA. This is a starting point for people who are new to these kinds of films and find themselves confused by the sheer overwhelming number of them. This page will provide an easy general introduction and a number of tips on films you should watch. This page is also ideal for those who want to make sure they know the basics and are just interested in learning more'''.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=207016&oldid=prevPete at 19:19, 6 November 20232023-11-06T19:19:55Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Exploitation films often exploited events that occurred in the news and were in the short term public consciousness that a major film studio may avoid due to the length of time of producing a major film. For example ''[[Child Bride]]'' (1938) addressed a problem of older men marrying very young women in the Ozarks. Other issues such as drug use in films like ''[[Reefer Madness]]'' (1936) attracted an audience that a major film studio would avoid to keep their mainstream and respectable reputations. ''[[Sex Madness]]'' (1938) portrayed the dangers of venereal disease from premarital sex. The film ''[[Mom and Dad]]'' (1945), a film about pregnancy and childbirth, was promoted in lurid terms. ''[[She Shoulda Said No!]]'' (1949) combined the themes of drug use and promiscuous sex.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Exploitation films often exploited events that occurred in the news and were in the short term public consciousness that a major film studio may avoid due to the length of time of producing a major film. For example ''[[Child Bride]]'' (1938) addressed a problem of older men marrying very young women in the Ozarks. Other issues such as drug use in films like ''[[Reefer Madness]]'' (1936) attracted an audience that a major film studio would avoid to keep their mainstream and respectable reputations. ''[[Sex Madness]]'' (1938) portrayed the dangers of venereal disease from premarital sex. The film ''[[Mom and Dad]]'' (1945), a film about pregnancy and childbirth, was promoted in lurid terms. ''[[She Shoulda Said No!]]'' (1949) combined the themes of drug use and promiscuous sex.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:Duece1988.jpg|link=Category:Grindhouse Theaters]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:Duece1988.jpg<ins style="font-weight: bold; text-decoration: none;">|1200px</ins>|link=Category:Grindhouse Theaters]]</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====[[:Category:Grindhouse Theaters|Grindhouses]] and [[:Category:The Metro Drive-In|Drive-ins]]====</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====[[:Category:Grindhouse Theaters|Grindhouses]] and [[:Category:The Metro Drive-In|Drive-ins]]====</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A "grindhouse" is an American term for a theater that mainly shows exploitation films. According to historian David Church, this theater type was named after the "grind policy", a film-programming strategy dating back to the early 1920s which continuously showed films at cut-rate ticket prices that typically rose over the course of each day. This exhibition practice was markedly different from the era's more common practice of fewer shows per day and graduated pricing for different seating sections in large urban theaters, which were typically studio-owned.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A "grindhouse" is an American term for a theater that mainly shows exploitation films. According to historian David Church, this theater type was named after the "grind policy", a film-programming strategy dating back to the early 1920s which continuously showed films at cut-rate ticket prices that typically rose over the course of each day. This exhibition practice was markedly different from the era's more common practice of fewer shows per day and graduated pricing for different seating sections in large urban theaters, which were typically studio-owned.</div></td></tr>
<tr><td colspan="2"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As the drive-in movie theater (an outdoor theater into which the patrons drive and watch the film from their car) began to decline in the 1960s and 1970s, theater owners began to look for ways to bring in patrons. One solution was to book exploitation films. In fact, some producers in the 1970s would make films directly for the drive-in market. Many of them were violent action films which some would refer to as 'drive-in' films.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As the drive-in movie theater (an outdoor theater into which the patrons drive and watch the film from their car) began to decline in the 1960s and 1970s, theater owners began to look for ways to bring in patrons. One solution was to book exploitation films. In fact, some producers in the 1970s would make films directly for the drive-in market. Many of them were violent action films which some would refer to as 'drive-in' films.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=201893&oldid=prevPete at 19:16, 28 August 20232023-08-28T19:16:26Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape-Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and [[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape-Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and [[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''[[:Category:Drugsploitation|Drugsploitation]]''': a subgenre of exploitation films that center around an explicit use of drugs. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''[[:Category:Drugsploitation|Drugsploitation]]''': a subgenre of exploitation films that center around an explicit use of drugs. </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*'''[[:Category:Poliziotteschi|Poliziotteschi]]''' is the Italian subgenre of crime/action cinema that became popular in the late 1960s through to the early 1980s. The term "poliziotteschi" is derived from "polizia" the Italian word for police and "esco" i.e. "esque" in American language. They are also commonly referred to as Italo-Crime and Euro-Crime films. The word "Poliziottesco" in particular represents specifically the 1970s crime/police actioners. Regular components featured in these films included: over the top violence, car/motorcycle chases, heists, shootouts. The subgenre's plots and stories usually involved police procedurals, mafia wars, as well as political corruption within Italy's big cities like Naples, Milan, Torino and Rome. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*'''[[:Category:Poliziotteschi|Poliziotteschi]]''' is the Italian subgenre of crime/action cinema that became popular in the late 1960s through to the early 1980s. The term "poliziotteschi" is derived from "polizia" the Italian word for police and "esco" i.e. "esque" in American language. They are also commonly referred to as Italo-Crime and Euro-Crime films. The word "Poliziottesco" in particular represents specifically the 1970s crime/police actioners. Regular components featured in these films included: over the top violence, car/motorcycle chases, heists, shootouts. The subgenre's plots and stories usually involved police procedurals, mafia wars, as well as political corruption within Italy's big cities like Naples, Milan, Torino and Rome<ins style="font-weight: bold; text-decoration: none;">. These films wewre heavily influenced by popular Hollywood crime films such as Bulllitt, The Godfather, The French Connection, Serpico and Dirty Harry</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
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</table>Petehttps://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=201892&oldid=prevPete at 19:14, 28 August 20232023-08-28T19:14:22Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Sub-genres===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Sub-genres===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Crime====</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Crime====</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*'''Vigilante/Revengeamatic films''': Films in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is [[Death Wish]], and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of [[Billy Jack]], or characters in blaxploitation films such as [[Coffy]], and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in [[Walking Tall]] original trilogy and remake, [[Mad Max]], and the Dirty Harry series of Clint Eastwood movies.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*'''<ins style="font-weight: bold; text-decoration: none;">[[:Category:Revengeamatic|</ins>Vigilante/Revengeamatic films<ins style="font-weight: bold; text-decoration: none;">]]</ins>''': Films in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is [[Death Wish]], and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of [[Billy Jack]], or characters in blaxploitation films such as [[Coffy]], and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in [[Walking Tall]] original trilogy and remake, [[Mad Max]], and the Dirty Harry series of Clint Eastwood movies.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape-Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and [[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape-Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and [[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=201891&oldid=prevPete at 19:12, 28 August 20232023-08-28T19:12:55Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:12, 28 August 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l99">Line 99:</td>
<td colspan="2" class="diff-lineno">Line 99:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Vigilante/Revengeamatic films''': Films in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is [[Death Wish]], and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of [[Billy Jack]], or characters in blaxploitation films such as [[Coffy]], and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in [[Walking Tall]] original trilogy and remake, [[Mad Max]], and the Dirty Harry series of Clint Eastwood movies.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Vigilante/Revengeamatic films''': Films in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is [[Death Wish]], and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of [[Billy Jack]], or characters in blaxploitation films such as [[Coffy]], and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in [[Walking Tall]] original trilogy and remake, [[Mad Max]], and the Dirty Harry series of Clint Eastwood movies.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape<del style="font-weight: bold; text-decoration: none;">/</del>Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and [[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape<ins style="font-weight: bold; text-decoration: none;">-</ins>Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and [[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''[[:Category:Drugsploitation|Drugsploitation]]''': a subgenre of exploitation films that center around an explicit use of drugs. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''[[:Category:Drugsploitation|Drugsploitation]]''': a subgenre of exploitation films that center around an explicit use of drugs. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''[[:Category:Poliziotteschi|Poliziotteschi]]''' is the Italian subgenre of crime/action cinema that became popular in the late 1960s through to the early 1980s. The term "poliziotteschi" is derived from "polizia" the Italian word for police and "esco" i.e. "esque" in American language. They are also commonly referred to as Italo-Crime and Euro-Crime films. The word "Poliziottesco" in particular represents specifically the 1970s crime/police actioners. Regular components featured in these films included: over the top violence, car/motorcycle chases, heists, shootouts. The subgenre's plots and stories usually involved police procedurals, mafia wars, as well as political corruption within Italy's big cities like Naples, Milan, Torino and Rome. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''[[:Category:Poliziotteschi|Poliziotteschi]]''' is the Italian subgenre of crime/action cinema that became popular in the late 1960s through to the early 1980s. The term "poliziotteschi" is derived from "polizia" the Italian word for police and "esco" i.e. "esque" in American language. They are also commonly referred to as Italo-Crime and Euro-Crime films. The word "Poliziottesco" in particular represents specifically the 1970s crime/police actioners. Regular components featured in these films included: over the top violence, car/motorcycle chases, heists, shootouts. The subgenre's plots and stories usually involved police procedurals, mafia wars, as well as political corruption within Italy's big cities like Naples, Milan, Torino and Rome. </div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=201890&oldid=prevPete at 19:12, 28 August 20232023-08-28T19:12:26Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:12, 28 August 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Sub-genres===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Sub-genres===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Crime====</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Crime====</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Vigilante/Revengeamatic films: Films in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is <del style="font-weight: bold; text-decoration: none;">'''</del>[[Death Wish]]<del style="font-weight: bold; text-decoration: none;">'''</del>, and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of <del style="font-weight: bold; text-decoration: none;">'''</del>[[Billy Jack]]<del style="font-weight: bold; text-decoration: none;">'''</del>, or characters in blaxploitation films such as <del style="font-weight: bold; text-decoration: none;">'''</del>[[Coffy]]<del style="font-weight: bold; text-decoration: none;">'''</del>, and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in <del style="font-weight: bold; text-decoration: none;">''</del>[[Walking Tall]]<del style="font-weight: bold; text-decoration: none;">'''s </del>original trilogy and remake, <del style="font-weight: bold; text-decoration: none;">''</del>[[Mad Max]]<del style="font-weight: bold; text-decoration: none;">''</del>, and the <del style="font-weight: bold; text-decoration: none;">''</del>Dirty Harry<del style="font-weight: bold; text-decoration: none;">'' </del>series of Clint Eastwood movies.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*<ins style="font-weight: bold; text-decoration: none;">'''</ins>Vigilante/Revengeamatic films<ins style="font-weight: bold; text-decoration: none;">'''</ins>: Films in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is [[Death Wish]], and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of [[Billy Jack]], or characters in blaxploitation films such as [[Coffy]], and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in [[Walking Tall]] original trilogy and remake, [[Mad Max]], and the Dirty Harry series of Clint Eastwood movies.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape/Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and <del style="font-weight: bold; text-decoration: none;">''</del>[[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape/Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and [[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''[[:Category:Drugsploitation|Drugsploitation]]''': a subgenre of exploitation films that center around an explicit use of drugs. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '''[[:Category:Drugsploitation|Drugsploitation]]''': a subgenre of exploitation films that center around an explicit use of drugs. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''[[:Category:Poliziotteschi|Poliziotteschi]]''' is the Italian subgenre of crime/action cinema that became popular in the late 1960s through to the early 1980s. The term "poliziotteschi" is derived from "polizia" the Italian word for police and "esco" i.e. "esque" in American language. They are also commonly referred to as Italo-Crime and Euro-Crime films. The word "Poliziottesco" in particular represents specifically the 1970s crime/police actioners. Regular components featured in these films included: over the top violence, car/motorcycle chases, heists, shootouts. The subgenre's plots and stories usually involved police procedurals, mafia wars, as well as political corruption within Italy's big cities like Naples, Milan, Torino and Rome. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''[[:Category:Poliziotteschi|Poliziotteschi]]''' is the Italian subgenre of crime/action cinema that became popular in the late 1960s through to the early 1980s. The term "poliziotteschi" is derived from "polizia" the Italian word for police and "esco" i.e. "esque" in American language. They are also commonly referred to as Italo-Crime and Euro-Crime films. The word "Poliziottesco" in particular represents specifically the 1970s crime/police actioners. Regular components featured in these films included: over the top violence, car/motorcycle chases, heists, shootouts. The subgenre's plots and stories usually involved police procedurals, mafia wars, as well as political corruption within Italy's big cities like Naples, Milan, Torino and Rome. </div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=201889&oldid=prevPete at 19:10, 28 August 20232023-08-28T19:10:49Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:10, 28 August 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Sub-genres===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Sub-genres===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Crime====</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Crime====</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*<del style="font-weight: bold; text-decoration: none;">'''</del>Vigilante/Revengeamatic films<del style="font-weight: bold; text-decoration: none;">'''</del>: <del style="font-weight: bold; text-decoration: none;">films </del>in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is ''[[Death Wish]]'', and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of ''[[Billy Jack]]'', or characters in blaxploitation films such as ''[[Coffy]]'', and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in ''[[Walking Tall]]'''s original trilogy and remake, ''[[Mad Max]]'', and the ''Dirty Harry'' series of Clint Eastwood movies.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Vigilante/Revengeamatic films: <ins style="font-weight: bold; text-decoration: none;">Films </ins>in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is <ins style="font-weight: bold; text-decoration: none;">'</ins>''[[Death Wish]]<ins style="font-weight: bold; text-decoration: none;">'</ins>'', and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of <ins style="font-weight: bold; text-decoration: none;">'</ins>''[[Billy Jack]]<ins style="font-weight: bold; text-decoration: none;">'</ins>'', or characters in blaxploitation films such as <ins style="font-weight: bold; text-decoration: none;">'</ins>''[[Coffy]]<ins style="font-weight: bold; text-decoration: none;">'</ins>'', and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in ''[[Walking Tall]]'''s original trilogy and remake, ''[[Mad Max]]'', and the ''Dirty Harry'' series of Clint Eastwood movies.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape/Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and ''[[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape/Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and ''[[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=201888&oldid=prevPete at 19:09, 28 August 20232023-08-28T19:09:08Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:09, 28 August 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Sub-genres===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Sub-genres===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Crime====</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Crime====</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Vigilante/<del style="font-weight: bold; text-decoration: none;">Revenge </del>films: films in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is ''[[Death Wish]]'', and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of ''[[Billy Jack]]'', or characters in blaxploitation films such as ''[[Coffy]]'', and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in ''[[Walking Tall]]'''s original trilogy and remake, ''[[Mad Max]]'', and the ''Dirty Harry'' series of Clint Eastwood movies.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*<ins style="font-weight: bold; text-decoration: none;">'''</ins>Vigilante/<ins style="font-weight: bold; text-decoration: none;">Revengeamatic </ins>films<ins style="font-weight: bold; text-decoration: none;">'''</ins>: films in which a person violates the law to exact justice. These films were rooted in 1970s unease over government corruption, failure in the Vietnam War, and rising crime rates. These movies point toward the rising political trend of neoconservatism. The classic example is ''[[Death Wish]]'', and its sequels. These films often deal with individuals who are unable to find help within the system, such as the Native American protagonist of ''[[Billy Jack]]'', or characters in blaxploitation films such as ''[[Coffy]]'', and persons from small towns who go to larger cities in pursuit of runaway relatives (i.e. 1979's Hardcore, and 1976's Trackdown). It's not uncommon for the vigilante in these films to himself be a policeman who feels thwarted by the legal system, as in ''[[Walking Tall]]'''s original trilogy and remake, ''[[Mad Max]]'', and the ''Dirty Harry'' series of Clint Eastwood movies.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''JD Films''': Juvenile delinquent themed films such as [[The Delinquents]], [[High School Hellcats]]. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape/Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and ''[[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''Rape/Revenge films''': Films in which a woman is raped, left for dead, recovers and then subsequently extracts a typically graphic, gory revenge against the person/persons who raped her. By far the most famous film of this genre is ''[[I Spit On Your Grave]]'' (also called ''Day of the Woman''). Others include ''[[Ms. 45]]'' and ''[[Thriller: A Cruel Picture]]''. ''[[The Last House On The Left]]''.</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=INTRODUCTION&diff=201581&oldid=prevJKData at 15:07, 26 August 20232023-08-26T15:07:32Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:07, 26 August 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Genres====</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Genres====</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="width:310px;float:right;border:1px solid gray; padding:5px; margin:5px;"></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="width:310px;float:right;border:1px solid gray; padding:5px; margin:5px;"></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:Sheshouldasaidnopost.jpg|300px|right|link=She Shoulda Said No]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:Sheshouldasaidnopost.jpg|300px|right|link=She Shoulda Said No<ins style="font-weight: bold; text-decoration: none;">!</ins>]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Beachpartypost.jpg|link=Beach Party|300px|right]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Beachpartypost.jpg|link=Beach Party|300px|right]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Faster_pussycat_kill_kill_poster_02.jpg|300px|right|link=Faster Pussycat! Kill! Kill!]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Faster_pussycat_kill_kill_poster_02.jpg|300px|right|link=Faster Pussycat! Kill! Kill!]]</div></td></tr>
</table>JKData