https://www.grindhousedatabase.com/index.php?title=Horrors_of_the_Black_Museum/Review&feed=atom&action=historyHorrors of the Black Museum/Review - Revision history2024-03-29T15:28:10ZRevision history for this page on the wikiMediaWiki 1.36.1https://www.grindhousedatabase.com/index.php?title=Horrors_of_the_Black_Museum/Review&diff=158445&oldid=prevJKData at 16:12, 28 October 20192019-10-28T16:12:09Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum, directed by Arthur Crabtree, was co-producer [[:American International Pictures|American International Pictures]]' very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum, directed by Arthur Crabtree, was co-producer [[<ins style="font-weight: bold; text-decoration: none;">:Category</ins>: American International Pictures|American International Pictures]]' very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td></tr>
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</table>JKDatahttps://www.grindhousedatabase.com/index.php?title=Horrors_of_the_Black_Museum/Review&diff=158444&oldid=prevJKData at 16:11, 28 October 20192019-10-28T16:11:40Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Just three minutes into [[Horrors of the Black Museum]] a woman receives a package: <del style="font-weight: bold; text-decoration: none;">it’s </del>a pair of binoculars from an unknown admirer. She goes to the window, places the binoculars up to her eyes and lets out a bloody scream: blood pours from her eyes and she drops to the floor. Beside her are the binoculars: they contained two retractable projectiles in the lens openings. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Just three minutes into [[Horrors of the Black Museum]] a woman receives a package: <ins style="font-weight: bold; text-decoration: none;">it's </ins>a pair of binoculars from an unknown admirer. She goes to the window, places the binoculars up to her eyes and lets out a bloody scream: blood pours from her eyes and she drops to the floor. Beside her are the binoculars: they contained two retractable projectiles in the lens openings. </div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Edmond Bancroft (Michael Gough) who has a limp and walks with a cane, is a popular journalist and crime novel writer who is obsessed with a series of grisly murders taking place in London. <del style="font-weight: bold; text-decoration: none;">Bancroft’s </del>interest in the macabre is best illustrated by his “Black Museum,” a collection of life size wax figurines modelling the torture instruments found at crime scenes. Rick (Graham Curnow) is Bancroft’s obedient young manservant; an admiring helpmate privy to Bancroft’s many secrets.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Edmond Bancroft (Michael Gough) who has a limp and walks with a cane, is a popular journalist and crime novel writer who is obsessed with a series of grisly murders taking place in London. <ins style="font-weight: bold; text-decoration: none;">Bancroft's </ins>interest in the macabre is best illustrated by his “Black Museum,” a collection of life size wax figurines modelling the torture instruments found at crime scenes. Rick (Graham Curnow) is Bancroft’s obedient young manservant; an admiring helpmate privy to Bancroft’s many secrets.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>One of his secrets is blonde, bosomy, ballsy Joan (June Cunningham), a dame-for-hire that he keeps hidden away because, as he puts it, she <del style="font-weight: bold; text-decoration: none;">“hasn’t </del>an ounce of surface polish.<del style="font-weight: bold; text-decoration: none;">” </del>Maybe not be she can call a spade a spade. When Bancroft reneges on their weekly payment agreement, Joan doesn’t hesitate to tell him what she really thinks of him. “Without your cane <del style="font-weight: bold; text-decoration: none;">your </del>only half a man,” she hisses, “and without your money you’d be no man at all!” To that Bancroft grabs his cane, throws it at him, and kicks him out!</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>One of his secrets is blonde, bosomy, ballsy Joan (June Cunningham), a dame-for-hire that he keeps hidden away because, as he puts it, she <ins style="font-weight: bold; text-decoration: none;">"hasn't </ins>an ounce of surface polish.<ins style="font-weight: bold; text-decoration: none;">" </ins>Maybe not be she can call a spade a spade. When Bancroft reneges on their weekly payment agreement, Joan doesn’t hesitate to tell him what she really thinks of him. “Without your cane <ins style="font-weight: bold; text-decoration: none;">you're </ins>only half a man,” she hisses, “and without your money you’d be no man at all!” To that Bancroft grabs his cane, throws it at him, and kicks him out!</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum, directed by Arthur Crabtree, was co-producer [[American International Pictures]]<del style="font-weight: bold; text-decoration: none;">’ </del>very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum, directed by Arthur Crabtree, was co-producer [[<ins style="font-weight: bold; text-decoration: none;">:American International Pictures|</ins>American International Pictures]]<ins style="font-weight: bold; text-decoration: none;">' </ins>very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
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</table>JKDatahttps://www.grindhousedatabase.com/index.php?title=Horrors_of_the_Black_Museum/Review&diff=144389&oldid=prevPete at 12:22, 24 September 20182018-09-24T12:22:07Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:22, 24 September 2018</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum directed by Arthur Crabtree, was co-producer [[American International Pictures]]’ very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum<ins style="font-weight: bold; text-decoration: none;">, </ins>directed by Arthur Crabtree, was co-producer [[American International Pictures]]’ very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Josiah}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Josiah}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Reviews]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Reviews]]</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Horrors_of_the_Black_Museum/Review&diff=144388&oldid=prevPete at 12:21, 24 September 20182018-09-24T12:21:22Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:21, 24 September 2018</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l19">Line 19:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum was co-producer [[American International Pictures]]’ very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum <ins style="font-weight: bold; text-decoration: none;">directed by Arthur Crabtree, </ins>was co-producer [[American International Pictures]]’ very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Josiah}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Josiah}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Reviews]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Reviews]]</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Horrors_of_the_Black_Museum/Review&diff=144387&oldid=prevPete at 11:50, 24 September 20182018-09-24T11:50:14Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:50, 24 September 2018</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Just three minutes into Horrors of the Black Museum a woman receives a package: it’s a pair of binoculars from an unknown admirer. She goes to the window, places the binoculars up to her eyes and lets out a bloody scream: blood pours from her eyes and she drops to the floor. Beside her are the binoculars: they contained two retractable projectiles in the lens openings. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Just three minutes into <ins style="font-weight: bold; text-decoration: none;">[[</ins>Horrors of the Black Museum<ins style="font-weight: bold; text-decoration: none;">]] </ins>a woman receives a package: it’s a pair of binoculars from an unknown admirer. She goes to the window, places the binoculars up to her eyes and lets out a bloody scream: blood pours from her eyes and she drops to the floor. Beside her are the binoculars: they contained two retractable projectiles in the lens openings. </div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum was co-producer American International <del style="font-weight: bold; text-decoration: none;">Pictures’ </del>very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>One of very few horror films released in Cinemascope, Horrors of the Black Museum was co-producer <ins style="font-weight: bold; text-decoration: none;">[[</ins>American International <ins style="font-weight: bold; text-decoration: none;">Pictures]]’ </ins>very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
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</table>Petehttps://www.grindhousedatabase.com/index.php?title=Horrors_of_the_Black_Museum/Review&diff=144377&oldid=prevPete: Created page with "<center>link=Horrors of the Black Museum</center> Just three minutes into Horrors of the Black Museum a woman receives a package: it’s a pair of b..."2018-09-24T11:23:55Z<p>Created page with "<center><a href="/index.php/File:Hbmtop.png" title="File:Hbmtop.png">800px|link=Horrors of the Black Museum</a></center> Just three minutes into Horrors of the Black Museum a woman receives a package: it’s a pair of b..."</p>
<p><b>New page</b></p><div><center>[[File:Hbmtop.png|800px|link=Horrors of the Black Museum]]</center><br />
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Just three minutes into Horrors of the Black Museum a woman receives a package: it’s a pair of binoculars from an unknown admirer. She goes to the window, places the binoculars up to her eyes and lets out a bloody scream: blood pours from her eyes and she drops to the floor. Beside her are the binoculars: they contained two retractable projectiles in the lens openings. <br />
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[[File:Hbm1.jpg]]<br />
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Edmond Bancroft (Michael Gough) who has a limp and walks with a cane, is a popular journalist and crime novel writer who is obsessed with a series of grisly murders taking place in London. Bancroft’s interest in the macabre is best illustrated by his “Black Museum,” a collection of life size wax figurines modelling the torture instruments found at crime scenes. Rick (Graham Curnow) is Bancroft’s obedient young manservant; an admiring helpmate privy to Bancroft’s many secrets.<br />
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One of his secrets is blonde, bosomy, ballsy Joan (June Cunningham), a dame-for-hire that he keeps hidden away because, as he puts it, she “hasn’t an ounce of surface polish.” Maybe not be she can call a spade a spade. When Bancroft reneges on their weekly payment agreement, Joan doesn’t hesitate to tell him what she really thinks of him. “Without your cane your only half a man,” she hisses, “and without your money you’d be no man at all!” To that Bancroft grabs his cane, throws it at him, and kicks him out!<br />
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[[File:Hbm2.jpg]]<br />
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Meanwhile the bodies keep stacking up. One lovely woman is murdered with a giant pair of vintage ice tongs: squash! Another wakes up in bed to find a guillotine assembled above her head: sever! Yet another victim is first electrocuted and then dumped into a vat of acid: sizzle! <br />
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But who exactly is committing these gruesome murders? Is it Bancroft; a man who taunts the police and is the recent author of the best-seller “Terror After Dark?” Or is it quiet-voiced Rick; witnesses saw someone who they think looked like him fleeing the scene of a crime. Perhaps it’s Aggie (Beatrice Barley) a curio shop owner who seems to know a little too many details about both the murders and the instruments used.<br />
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[[File:Hbm3.jpg]]<br />
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Part Dr. Jekyll & Mr. Hyde, part Jack the Ripper, Horrors of the Black Museum is good predictable fun: amplified, as it is, with a jaunty soundtrack and a series of vignettes expressly written for 1959 teenage audiences: young lovers necking on a park bench, a “Rock & Roll” jukebox dance number at an after-hours joint; and a visit to a fairground Amusement Park.<br />
<br />
One of very few horror films released in Cinemascope, Horrors of the Black Museum was co-producer American International Pictures’ very first color film. Look for the stupefying twelve-minute preamble explanation of “HypnoVista,” a dubious film enhancing process. The fifties certainly had no shortage of gimmicks!<br />
<br />
{{Josiah}}<br />
<br />
[[Category:Reviews]]</div>Pete