Difference between revisions of "Chicks in Chains and Mean Muthers: Women In Prison Films"

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[[File:Chickschains.jpg|350px|right|Chicks in Chains and Mean Muthers: Women In Prison Films]] <i class="fa fa-list-alt" aria-hidden="true"></i> '''Cruel prison guards, steamy jungle plantations, scantily clad, tough women, jailbreaks....Welcome to the world of Women In Prison films! This Sexploitation meets Pulp Crime Fiction subgenre essentially got its start in the 1950s with films such as Caged! (1950), So Young, So Bad (1950) and Women's Prison (1955). A decade later, Jess Franco's US box office hit [[99 Women]] (1969) and Lee Frost's nazisploitation themed [[Love Camp 7]] (1969) would inspire other filmmakers to explore the provocative genre even further. In the 1970s, thanks to the lax film restriction codes already in place, exploitation producers in America and Europe soon began cranking out a steady amount of these sexy action thrillers that combined T & A with adventurous thrills and chills. The Grindhouse and Drive-In audiences loved seeing the casts of beautiful babes getting into trouble while stuck behind steel bars. This introductory guide features a wide variety of some of the most exciting WiP films to come out of the 50s, 60s, 70s and 80s.'''
[[File:Chickschains.jpg|350px|right|Chicks in Chains and Mean Muthers: Women In Prison Films]] <i class="fa fa-list-alt" aria-hidden="true"></i> '''Cruel prison guards, steamy jungle plantations, scantily clad, tough women, jailbreaks....Welcome to the world of Women In Prison films! This Sexploitation meets Pulp Crime Fiction subgenre essentially got its start in the 1950s with films such as Caged! (1950), So Young, So Bad (1950) and Women's Prison (1955). A decade later, Jess Franco's US box office hit [[99 Women]] (1969) and Lee Frost's nazisploitation themed [[Love Camp 7]] (1969) would inspire other filmmakers to explore the provocative genre even further. In the 1970s, thanks to the lax film restriction codes already in place, exploitation producers in America and Europe soon began cranking out a steady amount of these sexy action thrillers that combined T & A with adventurous thrills and chills. The Grindhouse and Drive-In audiences loved seeing the casts of beautiful babes getting into trouble while stuck behind steel bars. This introductory guide features a wide variety of some of the most exciting WiP films to come out of the 50s, 60s, 70s and 80s.'''


'''Related Links''': [http://letterboxd.com/petegcdb/list/gcdb-presents-chicks-in-chains-and-mean-muthers/ Our list at Letterboxd] • [[:Category:Female Prisoner Scorpion Series|Female Prisoner Scorpion Series]] • [[Nunsploitation]] • [[The Erotic World of Sexploitation]]
'''Related Links''': [[:Category:Female Prisoner Scorpion Series|Female Prisoner Scorpion Series]] • [[Nunsploitation]] • [[The Erotic World of Sexploitation]]
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Revision as of 15:22, 25 August 2019

Chicks in Chains and Mean Muthers: Women In Prison Films

Cruel prison guards, steamy jungle plantations, scantily clad, tough women, jailbreaks....Welcome to the world of Women In Prison films! This Sexploitation meets Pulp Crime Fiction subgenre essentially got its start in the 1950s with films such as Caged! (1950), So Young, So Bad (1950) and Women's Prison (1955). A decade later, Jess Franco's US box office hit 99 Women (1969) and Lee Frost's nazisploitation themed Love Camp 7 (1969) would inspire other filmmakers to explore the provocative genre even further. In the 1970s, thanks to the lax film restriction codes already in place, exploitation producers in America and Europe soon began cranking out a steady amount of these sexy action thrillers that combined T & A with adventurous thrills and chills. The Grindhouse and Drive-In audiences loved seeing the casts of beautiful babes getting into trouble while stuck behind steel bars. This introductory guide features a wide variety of some of the most exciting WiP films to come out of the 50s, 60s, 70s and 80s.

Related Links: Female Prisoner Scorpion SeriesNunsploitationThe Erotic World of Sexploitation

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