From The Grindhouse Cinema Database
Revision as of 17:52, 23 June 2019 by Pete
Born on the 26th of July 1950 English actress Susan George is best known for her screen scorching performance opposite Dustin Hoffman in Sam Peckinpah’s controversial ‘Straw Dogs’ however she appeared in a host of thrillers and chillers throughout the 1970’s and 1980’s that secured her a special place in the heart of many grindhouse film fanatics. George lent an effervescent presence to every movie she starred in and exuded a casually flirtatious on screen sensuality that the likes of Peckinpah exploited to the extreme. Frequently the characters George played on film seemed blissfully unaware of just how hot they were and what an effect their precocious sexuality had on the men that they came into contact with. Coupled with a genuine depth of acting talent that meant she could effortlessly match the gravitas of co-stars such as the aforementioned Hoffman and Oliver Reed (in Venom) while also upstaging B movie stalwarts like Doug McClure (in The House Where Evil Dwells and Hugo Stiglitz (in Tintorera).
George attended stage school from an early age in order to train as an actress. At age 12 she appeared in a theatrical production of ‘The Sound Of Music’ and in 1963 she starred in the British TV adaption of Arthur Ransome’s ‘Swallows And Amazons’ playing a character called, in the book, Titty Walker. In the TV version the character was prudently re-named Kitty to avoid audience sniggers however one might view this labelling as prescient of the opening shots of George in the Peckinpah film that brought her most notoriety, in which her bra-free sashaying through the centre of a rural village draws stares from all around.
George had a small role in Michael Reeves bizarre 1967 sci-fi horror ‘The Sorcerers’ opposite Ian Ogilvy and an aged Boris Karloff before being cast as the titular 16 year old ‘Twinky’ opposite Charles Bronson’s middle aged porno writer in Richard Donner’s awkward twist on Lolita, and as Marianne in British exploitation auteur Pete Walker’s unfortunately mediocre Die Screaming Marianne.
Then came ‘Straw Dogs’. Sam Peckinpah’s masterful manipulation of simmering tension and fever pitch violence revolves around the controversially explicit rape of Susan George’s character Amy in a scene that has lost none of its ability to shock in the 40 odd years since it was made. Emotionally complicated and casually sensual, George’s stunning performance demands the audience return for repeat viewings to try and decrypt the motivations behind her richly detailed characterisation.
George followed ‘Straw Dogs’ with three films that secured her position in the grindhouse hall of infamy; 1971’s babysitter-in-peril thriller Fright, 1974’s carsploitation classic Dirty Mary Crazy Larry and 1975’s lurid slavesploitation epic Mandingo. It’s safe to say that none of these films would be anywhere near as much fun without George’s energetic contribution. Her performance in ‘Dirty Mary, Crazy Larry’ is particularly charming. Brash, quirky, sexy and sassy, George regularly steals scenes from veteran exploitation movie co-stars Peter Fonda, Adam Roarke and Vic Morrow.
The 1980’s saw George appear in even more cult curiosities; pestered by Japanese ghosts in the aforementioned The House Where Evil Dwells, alongside Laurence Olivier and Michael Caine in espionage thriller ‘The Jigsaw Man’ and squaring up to the bizarre casting of Franco Nero in the Golan-Globus production Enter the Ninja. In addition she made notable appearances in a number of well-loved cult TV series including Tales Of The Unexpected (in which she killed her husband with a frozen leg of lamb) and Hammer House Of Mystery And Suspense (in an episode directed by John Hough who had previously worked with the actress on Dirty Mary Crazy Larry as well as the 1970 thriller ‘Eyewitness’).
Married to British actor Simon McCorkindale from 1984 until his death in 2010, the couple set up their own film and TV production company in the late 1980s named Amy International Artists in tribute to George’s most iconic role. George continued to appear on TV in the 21st Century and in 2001 took on a role in long running British soap EastEnders; a fate more terrible than anything that befell the characters she essayed in her many forays into exploitation cinema.
Wanna see more of Susan George? Then GCDb recommends the following grindhouse treats as examples of the actress at her finest.
1 – Straw Dogs : Susan George’s most famous, and quite probably career best, performance. It might have Hollywood heavyweights in front of and behind the camera but at its core this uncompromisingly violent thriller has grindhouse guts.
2 – Fright : Peter Collinson’s nail-bitingly intense thriller casts George as a babysitter menaced by a mysterious psycho escaped from a mental institution 7 years before John Carpenter’s ‘Halloween’ utilised the same plot.
3 – Dirty Mary Crazy Larry : An all-time grindhouse great; Fonda, George and Roarke race across country with a boot full of loot while psycho Sheriff Vic Morrow pursues by chopper. Wonderful performances, slick direction, and an ending guaranteed to make your jaw drop.
4 – Tintorera : Susan George does Mexploitation in Rene Cardona Jnr’s sexed up ‘Jaws’ rip off. Frightening for all the wrong reasons, one of which is the site of Hugo Stiglitz’ bare ass.
5 – Mandingo : Richard Fleischer directed this hysterical and lurid Southern Gothic melodrama about a plantation slave trained to be a bare-knuckle boxer which Quentin Tarantino has described as a big budget studio exploitation flick. Susan George goes wild with a whip!
Narcan is the GCDb's esteemed UK contributor. As a youth his earliest exploitation film experience was a My Bloody Valentine/The Funhouse midnight double bill. Grindhouse icons that he holds in highest regards are Christina Lindberg and Frank Henelotter. Two of his favorite exploitation genres include Nunsploitation and Lucha Libre.