https://www.grindhousedatabase.com/index.php?title=Blood_Hunger:_The_Films_of_Jos%C3%A9_Larraz_(BluRay)&feed=atom&action=historyBlood Hunger: The Films of José Larraz (BluRay) - Revision history2024-03-29T14:48:07ZRevision history for this page on the wikiMediaWiki 1.36.1https://www.grindhousedatabase.com/index.php?title=Blood_Hunger:_The_Films_of_Jos%C3%A9_Larraz_(BluRay)&diff=156068&oldid=prevPete at 15:34, 15 August 20192019-08-15T15:34:25Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''[[Vampyres|VAMPYRES]]''': Brand new audio commentary by Kat Ellinger • Brand new interviews with producer Brian Smedley-Aston, actors Marianne Morris, Anulka Dziubinska, Brian Deacon, Sally Faulkner, makeup artist Colin Arthur and composer James Kenelm Clarke • Reimagining Vampyres - a brand new interview with Larraz s friend and collaborator Victor Matellano, director of the 2015 Vampyres remake • Extract from an archival interview with José Larraz • Jose Larraz and Marianne Morris Q&A at 1997 Eurofest • Image Gallery • Trailers</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''[[Vampyres|VAMPYRES]]''': Brand new audio commentary by Kat Ellinger • Brand new interviews with producer Brian Smedley-Aston, actors Marianne Morris, Anulka Dziubinska, Brian Deacon, Sally Faulkner, makeup artist Colin Arthur and composer James Kenelm Clarke • Reimagining Vampyres - a brand new interview with Larraz s friend and collaborator Victor Matellano, director of the 2015 Vampyres remake • Extract from an archival interview with José Larraz • Jose Larraz and Marianne Morris Q&A at 1997 Eurofest • Image Gallery • Trailers</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''[[<del style="font-weight: bold; text-decoration: none;">TheComing </del>of Sin|THE COMING OF SIN]]''': Spanish and English language versions of the feature• Brand new audio commentary by Kat Ellinger • Variations of Vice: The Alternate Versions of The Coming of Sin exploitation expert Marc Morris on the strange and scandalous release history of José Larraz's most censored film • Remembering Larraz author and filmmaker Simon Birrell shares his fond and extensive memories of his long-time friend and collaborator José Larraz • His Last Request (2005, 27 mins) - short film by Simon Birrell made under the guidance of José Larraz and starring Spanish horror legend Jack Taylor • Extract from an archival interview with José Larraz • Image Gallery • Original Spanish Trailer</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''[[<ins style="font-weight: bold; text-decoration: none;">The Coming </ins>of Sin|THE COMING OF SIN]]''': Spanish and English language versions of the feature• Brand new audio commentary by Kat Ellinger • Variations of Vice: The Alternate Versions of The Coming of Sin exploitation expert Marc Morris on the strange and scandalous release history of José Larraz's most censored film • Remembering Larraz author and filmmaker Simon Birrell shares his fond and extensive memories of his long-time friend and collaborator José Larraz • His Last Request (2005, 27 mins) - short film by Simon Birrell made under the guidance of José Larraz and starring Spanish horror legend Jack Taylor • Extract from an archival interview with José Larraz • Image Gallery • Original Spanish Trailer</div></td></tr>
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</table>Petehttps://www.grindhousedatabase.com/index.php?title=Blood_Hunger:_The_Films_of_Jos%C3%A9_Larraz_(BluRay)&diff=156032&oldid=prevPete at 12:15, 15 August 20192019-08-15T12:15:00Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>https://www.amazon.com/Blood-Hunger-Films-Larraz-Blu-ray/dp/B07M5XGK64</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''[</ins>https://www.amazon.com/Blood-Hunger-Films-Larraz-Blu-ray/dp/B07M5XGK64<ins style="font-weight: bold; text-decoration: none;">/ref=as_li_tl?tag=deuce-20 BUY BOX SET]'''</ins></div></td></tr>
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<tr><td colspan="2"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[File:Bloodhungerblu.jpg|400px|right]]</ins></div></td></tr>
<tr><td colspan="2"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">====Synopsis====</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>One of the most underrated and oft-neglected genre filmmakers of his generation, Spanish-born director José Ramón Larraz (Symptoms) finally receives his due with this collection of his work, the first of its kind, bringing together a fascinating cross-section of films from the first half of his lengthy cinematic career.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>One of the most underrated and oft-neglected genre filmmakers of his generation, Spanish-born director José Ramón Larraz (Symptoms) finally receives his due with this collection of his work, the first of its kind, bringing together a fascinating cross-section of films from the first half of his lengthy cinematic career.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In Larraz s debut feature, the hitherto ultra-rare Whirlpool (1970), Vivian Neves stars as Tulia, a young model invited to a photographer s secluded country home for what purports to be a quiet weekend retreat - but soon transpires to be anything but. 1974 s Vampyres - perhaps the best known and most widely-released of all José Larraz s films - sees a duo of blood hungry female vampires prowling the British countryside, from where they lure unsuspecting male motorists back to their imposing, dilapidated mansion for draining... in more ways than one. Meanwhile, in 1978 s The Coming of Sin (La Visita del Vicio, in its native Spanish), a young gypsy girl experiences a violent sexual awakening as her dreams of a naked young man on horseback become reality.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In Larraz s debut feature, the hitherto ultra-rare Whirlpool (1970), Vivian Neves stars as Tulia, a young model invited to a photographer s secluded country home for what purports to be a quiet weekend retreat - but soon transpires to be anything but. 1974 s Vampyres - perhaps the best known and most widely-released of all José Larraz s films - sees a duo of blood hungry female vampires prowling the British countryside, from where they lure unsuspecting male motorists back to their imposing, dilapidated mansion for draining... in more ways than one. Meanwhile, in 1978 s The Coming of Sin (La Visita del Vicio, in its native Spanish), a young gypsy girl experiences a violent sexual awakening as her dreams of a naked young man on horseback become reality.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>LIMITED EDITION CONTENTS</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">====</ins>LIMITED EDITION CONTENTS<ins style="font-weight: bold; text-decoration: none;">====</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Three films from José Ramón Larraz, all newly-restored in 2K from original film elements</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Three films from José Ramón Larraz, all newly-restored in 2K from original film elements<ins style="font-weight: bold; text-decoration: none;">, </ins>Newly-produced, extensive bonus features and unseen archival content<ins style="font-weight: bold; text-decoration: none;">, </ins>English subtitles for all features<ins style="font-weight: bold; text-decoration: none;">, </ins>Newly commissioned artwork by Gilles Vranckx<ins style="font-weight: bold; text-decoration: none;">, </ins>80-page perfect bound book featuring new writing by Jo Botting, Tim Greaves and Vanity Celis</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Newly-produced, extensive bonus features and unseen archival content</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>English subtitles for all features</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Newly commissioned artwork by Gilles Vranckx</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>80-page perfect bound book featuring new writing by Jo Botting, Tim Greaves and Vanity Celis</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">WHIRLPOOL</del></div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Original US Theatrical Cut</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''[[Whirlpool|WHIRLPOOL]]''': </ins>Original US Theatrical Cut <ins style="font-weight: bold; text-decoration: none;">• </ins>Brand new audio commentary by Tim Lucas <ins style="font-weight: bold; text-decoration: none;">• </ins>Obsessive Recurrence: The Early Films of José Larraz - author and critic Kim Newman reflects on the recurring themes and underlying obsessions linking together the early productions of José Larraz <ins style="font-weight: bold; text-decoration: none;">• </ins>A Curious Casting - actor Larry Dann on the strange story behind his casting in Whirlpool <ins style="font-weight: bold; text-decoration: none;">• </ins>Deviations of Whirlpool - featurette comparing the differences between the US Theatrical Cut and a previously circulated, alternate cut of the film <ins style="font-weight: bold; text-decoration: none;">• </ins>Extract from an archival interview with José Larraz <ins style="font-weight: bold; text-decoration: none;">• </ins>Image Gallery <ins style="font-weight: bold; text-decoration: none;">• </ins>Original US Theatrical Trailer</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Brand new audio commentary by Tim Lucas</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Obsessive Recurrence: The Early Films of José Larraz - author and critic Kim Newman reflects on the recurring themes and underlying obsessions linking together the early productions of José Larraz</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>A Curious Casting - actor Larry Dann on the strange story behind his casting in Whirlpool</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Deviations of Whirlpool - featurette comparing the differences between the US Theatrical Cut and a previously circulated, alternate cut of the film</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Extract from an archival interview with José Larraz</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Image Gallery</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Original US Theatrical Trailer</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">VAMPYRES</del></div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Brand new audio commentary by Kat Ellinger</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''[[Vampyres|VAMPYRES]]''': </ins>Brand new audio commentary by Kat Ellinger <ins style="font-weight: bold; text-decoration: none;">• </ins>Brand new interviews with producer Brian Smedley-Aston, actors Marianne Morris, Anulka Dziubinska, Brian Deacon, Sally Faulkner, makeup artist Colin Arthur and composer James Kenelm Clarke <ins style="font-weight: bold; text-decoration: none;">• </ins>Reimagining Vampyres - a brand new interview with Larraz s friend and collaborator Victor Matellano, director of the 2015 Vampyres remake <ins style="font-weight: bold; text-decoration: none;">• </ins>Extract from an archival interview with José Larraz <ins style="font-weight: bold; text-decoration: none;">• </ins>Jose Larraz and Marianne Morris Q&A at 1997 Eurofest <ins style="font-weight: bold; text-decoration: none;">• </ins>Image Gallery <ins style="font-weight: bold; text-decoration: none;">• </ins>Trailers</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Brand new interviews with producer Brian Smedley-Aston, actors Marianne Morris, Anulka Dziubinska, Brian Deacon, Sally Faulkner, makeup artist Colin Arthur and composer James Kenelm Clarke</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Reimagining Vampyres - a brand new interview with Larraz s friend and collaborator Victor Matellano, director of the 2015 Vampyres remake</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Extract from an archival interview with José Larraz</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Jose Larraz and Marianne Morris Q&A at 1997 Eurofest</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Image Gallery</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Trailers</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">THE COMING OF SIN</del></div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Spanish and English language versions of the <del style="font-weight: bold; text-decoration: none;">feature</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''[[TheComing of Sin|THE COMING OF SIN]]''': </ins>Spanish and English language versions of the <ins style="font-weight: bold; text-decoration: none;">feature• </ins>Brand new audio commentary by Kat Ellinger <ins style="font-weight: bold; text-decoration: none;">• </ins>Variations of Vice: The Alternate Versions of The Coming of Sin exploitation expert Marc Morris on the strange and scandalous release history of José Larraz's most censored film <ins style="font-weight: bold; text-decoration: none;">• </ins>Remembering Larraz author and filmmaker Simon Birrell shares his fond and extensive memories of his long-time friend and collaborator José Larraz <ins style="font-weight: bold; text-decoration: none;">• </ins>His Last Request (2005, 27 mins) - short film by Simon Birrell made under the guidance of José Larraz and starring Spanish horror legend Jack Taylor <ins style="font-weight: bold; text-decoration: none;">• </ins>Extract from an archival interview with José Larraz <ins style="font-weight: bold; text-decoration: none;">• </ins>Image Gallery <ins style="font-weight: bold; text-decoration: none;">• </ins>Original Spanish Trailer</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Brand new audio commentary by Kat Ellinger</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Variations of Vice: The Alternate Versions of The Coming of Sin exploitation expert Marc Morris on the strange and scandalous release history of José Larraz's most censored film</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Remembering Larraz author and filmmaker Simon Birrell shares his fond and extensive memories of his long-time friend and collaborator José Larraz</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>His Last Request (2005, 27 mins) - short film by Simon Birrell made under the guidance of José Larraz and starring Spanish horror legend Jack Taylor</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Extract from an archival interview with José Larraz</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Image Gallery</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Original Spanish Trailer</div></td><td colspan="2"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Category:BluRay]][[Category:Arrow Video]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Category:BluRay]][[Category:Arrow Video<ins style="font-weight: bold; text-decoration: none;">]][[Category:José Ramon Larraz</ins>]]</div></td></tr>
</table>Petehttps://www.grindhousedatabase.com/index.php?title=Blood_Hunger:_The_Films_of_Jos%C3%A9_Larraz_(BluRay)&diff=156030&oldid=prevPete: Created page with "https://www.amazon.com/Blood-Hunger-Films-Larraz-Blu-ray/dp/B07M5XGK64 One of the most underrated and oft-neglected genre filmmakers of his generation, Spanish-born director..."2019-08-15T12:10:42Z<p>Created page with "https://www.amazon.com/Blood-Hunger-Films-Larraz-Blu-ray/dp/B07M5XGK64 One of the most underrated and oft-neglected genre filmmakers of his generation, Spanish-born director..."</p>
<p><b>New page</b></p><div>https://www.amazon.com/Blood-Hunger-Films-Larraz-Blu-ray/dp/B07M5XGK64<br />
<br />
<br />
One of the most underrated and oft-neglected genre filmmakers of his generation, Spanish-born director José Ramón Larraz (Symptoms) finally receives his due with this collection of his work, the first of its kind, bringing together a fascinating cross-section of films from the first half of his lengthy cinematic career.<br />
<br />
In Larraz s debut feature, the hitherto ultra-rare Whirlpool (1970), Vivian Neves stars as Tulia, a young model invited to a photographer s secluded country home for what purports to be a quiet weekend retreat - but soon transpires to be anything but. 1974 s Vampyres - perhaps the best known and most widely-released of all José Larraz s films - sees a duo of blood hungry female vampires prowling the British countryside, from where they lure unsuspecting male motorists back to their imposing, dilapidated mansion for draining... in more ways than one. Meanwhile, in 1978 s The Coming of Sin (La Visita del Vicio, in its native Spanish), a young gypsy girl experiences a violent sexual awakening as her dreams of a naked young man on horseback become reality.<br />
<br />
LIMITED EDITION CONTENTS<br />
<br />
Three films from José Ramón Larraz, all newly-restored in 2K from original film elements<br />
Newly-produced, extensive bonus features and unseen archival content<br />
English subtitles for all features<br />
Newly commissioned artwork by Gilles Vranckx<br />
80-page perfect bound book featuring new writing by Jo Botting, Tim Greaves and Vanity Celis<br />
WHIRLPOOL<br />
<br />
Original US Theatrical Cut<br />
Brand new audio commentary by Tim Lucas<br />
Obsessive Recurrence: The Early Films of José Larraz - author and critic Kim Newman reflects on the recurring themes and underlying obsessions linking together the early productions of José Larraz<br />
A Curious Casting - actor Larry Dann on the strange story behind his casting in Whirlpool<br />
Deviations of Whirlpool - featurette comparing the differences between the US Theatrical Cut and a previously circulated, alternate cut of the film<br />
Extract from an archival interview with José Larraz<br />
Image Gallery<br />
Original US Theatrical Trailer<br />
VAMPYRES<br />
<br />
Brand new audio commentary by Kat Ellinger<br />
Brand new interviews with producer Brian Smedley-Aston, actors Marianne Morris, Anulka Dziubinska, Brian Deacon, Sally Faulkner, makeup artist Colin Arthur and composer James Kenelm Clarke<br />
Reimagining Vampyres - a brand new interview with Larraz s friend and collaborator Victor Matellano, director of the 2015 Vampyres remake<br />
Extract from an archival interview with José Larraz<br />
Jose Larraz and Marianne Morris Q&A at 1997 Eurofest<br />
Image Gallery<br />
Trailers<br />
THE COMING OF SIN<br />
<br />
Spanish and English language versions of the feature<br />
Brand new audio commentary by Kat Ellinger<br />
Variations of Vice: The Alternate Versions of The Coming of Sin exploitation expert Marc Morris on the strange and scandalous release history of José Larraz's most censored film<br />
Remembering Larraz author and filmmaker Simon Birrell shares his fond and extensive memories of his long-time friend and collaborator José Larraz<br />
His Last Request (2005, 27 mins) - short film by Simon Birrell made under the guidance of José Larraz and starring Spanish horror legend Jack Taylor<br />
Extract from an archival interview with José Larraz<br />
Image Gallery<br />
Original Spanish Trailer<br />
<br />
[[Category:BluRay]][[Category:Arrow Video]]</div>Pete