Mario Bava: The Essentials
From The Grindhouse Cinema Database
Mario Bava (July 31, 1914 – April 25, 1980) was an Italian writer/director, screenwriter, special effects artist and cinematographer. Bava was a journeyman in the 60s and 70s world of Italian pop cinema and worked in a variety of genres including spaghetti westerns, gialli, gothic horror and poliziotteschi. Bava even ventured into the comic book realm with his 1967 cult classic Danger: Diabolik. Bava's incredible imagination, resourcefulness and unique eye for colorful, atmospheric cinema photography/set designs were his greatest strengths as a filmmaker.
Films to Watch
All The Colors of The Dark
This book written by Tim Lucas (Video Watchdog) contains 1128 pages of four-columned type (nearly 800,000 words!), fully illustrated with well over 1000 stills and annotated poster art from all over the world, most in full color and all subjected to a three-year process of meticulous digital restoration. Included are never-before-published family photos, documents, and drawings by Bava himself, and an eye-popping array of images that Bava fans never expected to see: a wealth of color shots taken on the set of the B&W classic Black Sunday, the only photos taken of Catherine Deneuve while briefly cast as the female lead in Danger: Diabolik, and dozens of pictures of the notoriously camera-shy director himself. The extensive appendices include filmographies for Mario and Eugenio Bava, international discography and videography, name and film title indexes, and a generous gallery of storyboard art by Bava, including his complete art for an unproduced 1970s project, Baby Kong. With an Introduction by Martin Scorsese and a Foreword by the late Italian director Riccardo Freda, Mario Bava All the Colors of the Dark marks an exciting new development in the fields of film-related biography and book-making. Buy Book
The Haunted World of Mario Bava
This book, first published in 2002, has now been updated, revised and expanded by author Troy Howarth to give a better overview of Bava’s remarkable legacy as a director and “cinema magician.” This new edition contains new contributions from Bava’s son, director Lamberto Bava, and genre icon Barbara Steele. The book examines all of Bava’s directorial works in detail while also providing a portrait of the man himself—a man for whom publicity and self-promotion was always shied away from, even as he continued to work himself to the point of exhaustion as he improvised and pushed himself to deliver films which would go on to influence such major filmmakers as William Friedkin, Martin Scorsese, Quentin Tarantino, Tim Burton and Joe Dante. Author Troy Howarth “discovered” Bava’s work as a child on late night TV and has worked hard to help bring more serious attention to his films. In addition to holding down a full-time job in the field of social work, he is also a contributor to We Belong Dead magazine and writes reviews for such websites as AV Maniacs and Eccentric Cinema. Buy Book