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Welcome to the Grindhouse Cinema Database Project
The internet's largest Classic International Exploitation/Cult Film Wikipedia - Our database contains 8,011 articles and 11,030 images.


Suvaki Yamaguchi aka Tura Satana was born in 1938 in Hokkaido, Japan. Her father was a movie actor and her mother a circus contortionist. Having emigrated to the USA part of her childhood was spent in a Japanese internment camp during World War 2. It was in Chicago aged only 9 that Suvaki was attacked and raped by a gang of five men. Her father taught her martial arts as a means of self-defence and she went on to become a black belt in karate. Later she alleged that her skills were put to another use when, in the years following the attack, she tracked down each of the men she held responsible. By age 13 Suvaki was working as a singer in Los Angeles. By age 15 she was dancing nude. Tura Satana was truly born on stage and she quickly became a burlesque sensation; one minute she’d be twirling her tassels at 100 rpm the next she’d be breaking some joker’s jaw for disrespectful heckling. After appearing in a handful of TV shows (including The Man From U.N.C.L.E), and having turned down a marriage proposal from Elvis Presley, in 1966 Tura landed the lead in one of the greatest exploitation films of all time, Russ Meyer’s Faster Pussycat! Kill! Kill!. As sociopathic thrill-seeker Varla she dominates every scene she is in whether chugging frenetically at a go-go bar, putting the pedal to the metal in a desert drag race or snapping some puny goon’s spine with her bare hands. All the while letting rip with some of the most wickedly cool dialogue ever committed to celluloid. Russ & Tura were birds of a feather: Meyer was used to dominating his cast and crew with maniacal military bluster, Satana was her own boss and god help any fool who pissed her off and the two famously clashed over Meyer’s strict policy of no sexual...MORE


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Norifumi Suzuki’s third installment in the Sukeban series isn’t quite what it seems. It’s a biker gang film but goes agains most genre traditions in both story and style. It’s also one of the funniest movies I’ve seen in a long time. Once again we get to witness Suzuki’s grudge against the authorities as he spends the first 20 minutes making fun of almost every authority figure imaginable. Monks and nuns get their share, as do doctors, husbands and men in general. There’s a few short glipses of strong violence later in the film but mainly Girl Boss Guerilla is all about light weight entertainment and girls kicking ass. Most of the film takes place in Kyoto where many scenes shot on public areas with real people instead of fully staged scenes with studio actors. This works nicely and brings some freshess to the outdoor scenes. While Reiko Ike (who’s plays a supporting role here) really got to shine in Criminal Woman, this is Miki Sugimoto’s moment of glamour. Well, maybe not glamour but she looks really good and even a little bit sweet in Girl Boss Guerilla. Miki also sings one of the songs on the soundtrack. While she not the greatest singer it’s always nice to have one of the main actresses singing instead of a professional singer. There’s another and much better song in the film when Ichiro’s (Michitaro Mizushima)...READ MORE


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